The Circus

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To F Nov 9 Es la primera película que veo de Charles Chaplin y es maravillosa. Que gran sorpresa que el cine mudo pudiera expresar tanto. Me la pase a carcajadas! See more Marce S Sep 13 Lovely take on a classic story. See more Jace T @CineChamber Aug 21 This movie is honestly cute, wholesome, and charming. Charlie Chaplin is excellent with his body language and mannerisms. I feel like this movie could have been an 8/10, but the end of the story kind of ruined it for me personally. The humor is pretty constant throughout, which is still pretty amazing even to this day. See more William B 11/22/2024 One of the best Chapln's comedies. See more Alec B 12/14/2023 Overall, it's a relatively minor work from Chaplin, but the slapstick is top notch. It works as pure zany energy. See more Matthew B 08/17/2023 With The Circus, I cannot help wondering if Chaplin was trying to foresee his own future. Like The Tramp, he joins the entertainment industry, and plays an important part in establishing its popularity. However one day the circus will move on, and leave him behind. Indeed there is a recurring emphasis on circularity in the movie. The circus takes its name from a Latin word for a circle or ring, in this case a Roman arena. Circus tents are usually round in shape. Like many Chaplin films, The Circus begins with an iris-eye view that widens out, and ends in an iris-eye view that closes. A circus was the perfect environment for a Chaplin movie, so it is unsurprising that Chaplin had been considering the idea since 1920, eight years earlier. The parallels between circus life and Chaplin's cinema are clear. Both employ physical humour. Both rely on inspiring the audience with a sense of awe at the visual trickery on display. Both require great technical skill, but lay the emphasis on showmanship and entertainment more than artistry. am not sure how many takes were involved in some of the best scenes. Did the scene in the lion's cage really require 200? Given that Chaplin is clearly inside the cage with an actual lion for at least some of the shots – it actually walks over to him at one point – then it was certainly a risky venture if there were that many takes, even allowing for the fact that the lion may not have been present in all of them. The tightrope scene is said to have required a remarkable 700 takes. For good measure, Chaplin claimed that an earlier, even better version of this scene was filmed and lost. It is one of the most remarkable moments in Chaplin's work. Allowing for some level of trickery about how near to the ground Chaplin really was, he is required to balance on a rope while the supporting hook that keeps him in place becomes unattached. As if that is not enough, a gang of escaped monkeys begin to clamber all over him while he wobbles on the wire. While I am discussing the most memorable and ingenious scenes, it is also worth mentioning a scene in a Hall of Mirrors where The Tramp is chased, first by the pickpocket and later by the police. We see a few dozen Chaplins in the mirror as The Tramp seeks to escape, retrieve his hat and elude capture. The scene anticipates a more serious Hall of Mirrors scene in Orson Welles' film noir, The Lady from Shanghai. I wrote a longer review (with spoilers) expressing a full appreciation of the film on my blog page if you are interested in reading more: https://themoviescreenscene.wordpress.com/2018/11/17/the-circus-1928/ See more Read all reviews

The Circus

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