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The Three Musketeers

Play trailer Poster for The Three Musketeers Released Aug 28, 1921 2h 0m Adventure Play Trailer Watchlist
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92% Tomatometer 12 Reviews 75% Popcornmeter 250+ Ratings
Leaving his country village, D'Artagnan (Douglas Fairbanks) heads to Paris in hopes of becoming a musketeer. Soon after, he meets three of them -- Athos (Leon Barry), Porthos (George Siegmann) and Aramis (Eugene Pallette) -- and joins their struggle to defend Queen Anne (Mary MacLaren) against the devious Cardinal Richelieu (Nigel De Brulier). The cardinal's been scheming to expose Anne's infidelity by stealing a brooch she gave her lover (Thomas Holding), and the musketeers vow to get it first.

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The Three Musketeers

Critics Reviews

View All (12) Critics Reviews
Variety Staff Variety There is a flare and sweep about the film, with the assembling, cutting and continuity seeming spotlessly correct. Douglas Fairbanks and D'Artagnan are a happy combination. Mar 26, 2009 Full Review Steven D. Greydanus Decent Films Exuberantly embraces the melodramatic absurdities of Dumas's moral universe [though] Don Q Son of Zorro did better with this kind of sophisticated European intrigue. Rated: B- Oct 10, 2005 Full Review Carl Sandburg Chicago Daily News As a spectacle photodrama that cost a million dollars, The Three Musketeers is not much ahead, if at all, of other million dollar spectacle photodramas which have passed before our eyes in recent months and years. Mar 28, 2022 Full Review Robert E. Sherwood LIFE As for the rest of the production, The Three Musketeers is well worthy of its story and its star. Oct 5, 2021 Full Review Harriette Underhill New York Tribune The Three Musketeers is a thrilling, gripping, unadulterated success. Nov 7, 2019 Full Review Francisco J. Ariza Cine-Mundial A very long and very entertaining comedy in the style of Chaplin. [Full Review in Spanish] Sep 9, 2019 Full Review Read all reviews

Audience Reviews

View All (8) audience reviews
Nick M Douglas Fairbanks brings the hero D'Artagnan to life with his astounding athleticism and boundless energy, and the high production value of the film fleshes out the story with legions of extras, elaborate sets, and ornate costumes. It's difficult to tell in a Fairbanks picture how much credit the director should get, but assuming Niblo took the reins afforded by his title he is deserving of praise for his work on this film. One of my favorite characters is actually the villain, Cardinal Richelieu. Several times after we witness his machinations outside of Paris the film cuts to a close-up of his bejeweled hand caressing the handrest of his chair in a fabulously sinister fashion. We also see him softly stroking his cats as he plots with his cronies. Everything is done slowly, deliberately - it's an effective performance. On a side note, it turns out that the historical Richelieu really was fond of cats. Is this is the origin of the villain-cat trope? It's the earliest example I can recall from the cinema, at any rate. The film is well-produced and highly entertaining (though the sword play is more hilarious than harrowing), but I couldn't help but be conscious of the fact that I was watching Fairbanks, and not D'Artagnan, on screen. Everyone else was playing their roles straight, but Fairbanks mugged and played to the audience continuously, particularly during the fight scenes. Normally this is expected, even eagerly anticipated, but now that he's crossing from tongue-in-cheek comedies into period pieces the effect is more jarring. Curious about this, I read the relevant bit of James Vance's biography of him, and it turns out that D'Artagnan was a childhood hero of the actor. He had longed to play him on stage for years, but when he began conceptualizing this picture he realized that he had a boyish, idealized version of the character in his head. Fairbanks: "You know if you get right down to cases, that fellow [d'Artagnan] was a brute and a bully. He went around picking quarrels with everybody and killing folks who hadn't done anything to get killed for... We steered away from the idea... by always giving his fights a comic finish." That explains a lot of what I was seeing up there, but let's be real - Fairbanks always plays versions of the same character on screen, which is basically himself. I happen to like that character, but it does prevent his pictures from rising beyond the level of the affable comedy to something greater. Rated 4 out of 5 stars 12/29/24 Full Review jordan m The first act of this movie made for tough sledding as there was a ton of exposition and they did it in a pretty rudimentary way, doing nothing to avoid excessive dialogue scenes & instead spending half the screentime showing intertitles of what the characters were saying. My wife wasn't wearing her glasses so I felt like I'd just cracked open the book from the 1840s & started reading it to her instead of pulling up a Fairbanks movie. That said, once the rising action began the movie really became quite enjoyable as the sword fights were good, Fairbanks's athleticism was certainly on display and even the music, which was somewhat invasive in the dialogue scenes, did a good job reaching crescendo where it coincided with what was happening on screen. I did find it odd that there was very little if any camera movement as several of the principals had worked with D. W. Griffith, who had pioneered camera movement in the previous decade. In all this was far from the worst silent movie we've seen and I'm looking forward to the 1929 sequel! Rated 4 out of 5 stars 03/31/23 Full Review Audience Member good silent version of this often told tale. Rated 3 out of 5 stars 01/21/23 Full Review Audience Member This 3 Musketeers movie is just like all the others, no surprises here, it's no better and no worse than any other. Overall it is pretty fun and entertaining, but it's long and has a bunch of boring scenes with the queen and duke and other characters. It could have been better. Rated 3.5 out of 5 stars 01/22/23 Full Review Audience Member Barbara La Marr was a great deal of naughty fun in this romp through a very theatrical Paris. The fight scenes were nifty, but the film as a whole was a good thirty minutes longer than it needed to be. Still, I'm glad I finally got to see it, and I can't help but smile when Doug does his athletic buckling of swash. Rated 4 out of 5 stars 01/30/23 Full Review Audience Member See it for the stunts alone. Douglas Fairbanks was the Jackie Chan of his time. Rated 4 out of 5 stars 02/04/23 Full Review Read all reviews
The Three Musketeers

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Movie Info

Synopsis Leaving his country village, D'Artagnan (Douglas Fairbanks) heads to Paris in hopes of becoming a musketeer. Soon after, he meets three of them -- Athos (Leon Barry), Porthos (George Siegmann) and Aramis (Eugene Pallette) -- and joins their struggle to defend Queen Anne (Mary MacLaren) against the devious Cardinal Richelieu (Nigel De Brulier). The cardinal's been scheming to expose Anne's infidelity by stealing a brooch she gave her lover (Thomas Holding), and the musketeers vow to get it first.
Director
Fred Niblo
Producer
Douglas Fairbanks
Screenwriter
Alexandre Dumas, Douglas Fairbanks, Edward Knoblock, Lotta Woods
Distributor
United Artists
Production Co
Douglas Fairbanks Pictures
Genre
Adventure
Release Date (Theaters)
Aug 28, 1921, Wide
Release Date (Streaming)
Jun 30, 2016
Runtime
2h 0m
Aspect Ratio
Academy (1.33:1)
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