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      Breaking the Waves

      R Released Oct 4, 1996 2h 39m Drama List
      84% 64 Reviews Tomatometer 91% 25,000+ Ratings Audience Score In a small and religious coastal town, a simple, devoutly religious Scottish woman, Bess McNeill (Emily Watson), finds a partner in an oil rig worker from Norway, Jan Nyman (Stellan Skarsgard). However, the relationship grows strained when Nyman breaks his neck in a horrific work accident on the rig and becomes paralyzed. Unable to perform sexually and suffering mentally from the accident as well, Jan convinces Bess to have sex with other men, which she comes to believe is God's work. Read More Read Less Watch on Fandango at Home Premiered May 17 Buy Now

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      Breaking the Waves

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      Critics Consensus

      Breaking the Waves offers a remarkable testament to writer-director Lars von Trier's insight and filmmaking skill -- and announces Emily Watson as a startling talent.

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      Audience Reviews

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      Melanie G Five stars based on Emily Watson's performance. I started watching this on television in my bedroom while ironing clothes, knew nothing about it. Half an hour later I was sitting on my bed with my mouth hanging open. Watson is simply phenominal. Excellent direction, casting, and editing too. It's a very intense movie - not something you'd want to show for a jolly social event, but every bit worth watching. Rated 5 out of 5 stars 02/23/23 Full Review Jackie W a story not every one will understand, but as a metaphor for messy sexuality well done Rated 4 out of 5 stars 02/08/23 Full Review Audience Member "Every woman here has to learn to be alone." Such is the matronly wisdom Bess (Emily Watson) receives from her mother (Sandra Voe), concerning their remote Scottish village's proximity to the oil rigs in the North Sea, which pull the men from their marriage beds for work like magnets. Bess is a "feeble-minded" twentysomething (I think?) year-old girl who marries a handsome Dane named Jan (Stellan Skarsgård). Everything is new to Bess, it seems, who possesses a childlike (but not –ish) approach to love, religion, and sex. However, Bess is presented with an unimaginable challenge when her newly betrothed is injured during a workplace accident, rendering him almost completely paralyzed from the neck down. What we get is not a "feeble-minded" young woman, but someone unbelievably strong and resolved in their love for their husband, even when that person presents them with, somehow, another gut-wrenching challenge. Jan wants Bess to sleep with other men and then share the experiences with him. I was surprised to find other reviewers (most notably Roger Ebert) describe this request as cruel. At first, I considered this a way for Jan to share some sexual connection with his wife while also permitting her to enjoy the physical pleasures that accompany sex. Much of the plot follows Bess as she juggles these excruciating challenges life has presented to her — she also speaks directly to God, who manifests himself through Bess in a paternal voice of succor. Watson creates a character in Bess that is special — I immediately want to see more of her movies. I was a little confused at the artsy "chapter breaks," but came to love them. Where the film really ascends are the final few scenes. I mean, it's like one punch to the gut after another — only here can watching a previously paralyzed man walk appear merciless. Bess's final line, the funeral, those heavenly, heavenly bells, it's all so poignant and beautiful. I almost feel like I need to re-watch this very soon, something I rarely do, Breaking the Waves is a gorgeous movie and a must-watch. Rated 5 out of 5 stars 02/01/23 Full Review edward g Yet another overrated Von trier film.. Rated 2 out of 5 stars 03/31/23 Full Review Matt v Probably the only movie I've ever given 5 stars to that I don't every want to watch again. Seeing Bess degenerate in the last act of this movie is too painful to relive. Still, I highly recommend this movie, but only to people who like "arty" movies. Uplifting and hopeful in a sad, solemn way. Rated 5 out of 5 stars 08/20/22 Full Review dave s Lars von Trier is, admittedly, an acquired taste, but for anyone who is brave enough to try to acquire a taste and venture into von Trier's ugly world, Breaking the Waves is probably the best place to start. Set in a remote coastal town in Scotland, Bess (Emily Watson, who gives a tour-de-force performance) is a mentally challenged, deeply religious woman who falls in love with oil rig worker Jan (Stellan Skarsgard). When he is seriously injured at work, Bess is devastated and begins a descent into a world of madness. Breaking the Waves is an excellent example of von Trier's Dogme 95 school of filmmaking – handheld cameras, natural lighting, location shoots, etc. The style will be unsettling for the uninitiated, but stick with it and you'll be rewarded with a powerful, deeply moving film. Rated 4.5 out of 5 stars 03/30/23 Full Review Read all reviews Post a rating

      Cast & Crew

      93% 90% Open Hearts 67% 79% Margaret's Museum 81% 73% Jude 78% 86% In a Better World 87% 87% After the Wedding Discover more movies and TV shows. View More

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      Critics Reviews

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      Kevin Maher Times (UK) [An] earnest, yet harrowing, heartbreaker... Rated: 5/5 Aug 4, 2023 Full Review Peter Bradshaw Guardian Von Trier’s patent insincerity and facetiousness could be read as a satire on movie emotionalism, or as its own kind of conceptual art. Either way, it’s quite an experience. Rated: 4/5 Aug 4, 2023 Full Review David Ansen Newsweek There are few movies around that take such huge risks: this is high-wire filmmaking, without a net of irony. Feb 26, 2018 Full Review Michael Atkinson Spin There may be no way to prepare for the shock of Lars von Trier's Breaking the Waves, a film that accumulates moral momentum as it rolls on and bears down on you in its last half hour like a lightning strike. Dec 27, 2022 Full Review Wallace Baine Santa Cruz Sentinel Emily Watson gives this musty spiritualism a flesh and-blood sympathetic center. Her purity of emotion, be it bliss, fear or sorrow, are convincingly unactorly and the camera -- even Von Trier's handheld pseudo-documentary one -- loves her face. Rated: B+ Feb 22, 2019 Full Review Barbara Shulgasser Common Sense Media Gloomy '90s drama has cursing, nudity, mature themes. Rated: 2/5 Apr 18, 2017 Full Review Read all reviews

      Movie Info

      Synopsis In a small and religious coastal town, a simple, devoutly religious Scottish woman, Bess McNeill (Emily Watson), finds a partner in an oil rig worker from Norway, Jan Nyman (Stellan Skarsgard). However, the relationship grows strained when Nyman breaks his neck in a horrific work accident on the rig and becomes paralyzed. Unable to perform sexually and suffering mentally from the accident as well, Jan convinces Bess to have sex with other men, which she comes to believe is God's work.
      Director
      Lars von Trier
      Producer
      Lars Jönsson
      Screenwriter
      Peter Asmussen, Lars von Trier, David Pirie
      Distributor
      October Films
      Production Co
      Zentropa Entertainments, Lucky Red
      Rating
      R
      Genre
      Drama
      Original Language
      English
      Release Date (Theaters)
      Oct 4, 1996, Original
      Release Date (Streaming)
      Jul 14, 2015
      Box Office (Gross USA)
      $4.0M
      Runtime
      2h 39m
      Sound Mix
      Surround
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