Rotten Tomatoes
Cancel Movies Tv shows RT App News Showtimes

Dovlatov

Play trailer Poster for Dovlatov PG-13 2018 2h 6m Drama Play Trailer Watchlist
Watchlist Tomatometer Popcornmeter
80% Tomatometer 15 Reviews 54% Popcornmeter 50+ Ratings
In 1971 Leningrad, Russian-Jewish Sergei Dovlatov is a young writer whose manuscripts are routinely rejected by the official media, while other writers have been forced into exile for their views. Sergei wants to stay in the country with his family and write about the reality he sees, in spite of the fact that his texts will not be published under the Brezhnev regime.
Watch on Netflix Stream Now

Where to Watch

Dovlatov

Critics Reviews

View More
Ben Sachs Chicago Reader 11/30/2018
3/4
Dovlatov takes the novel approach of dramatizing just six days in the protagonist's life. And where traditional biopics devote at least some time to the subjects' creative achievements, Dovlatov is concerned exclusively with the hero's failures. Go to Full Review
Tomris Laffly RogerEbert.com 10/26/2018
2/4
[An] aimless period drama. Go to Full Review
Gary Goldstein Los Angeles Times 10/24/2018
An unusually entertaining bio-drama covering six days in the life of beleaguered Russian writer Sergei Dovlatov. Go to Full Review
CJ Sheu Review Film Review 07/01/2020
[T]hese artists of various mediums offer solace and support to each other via solidarity against the ostensibly solidarity-focused aesthetic regime of Soviet Realism. Go to Full Review
Patrick Gamble CineVue 05/24/2019
3/5
Thankfully, German never idolises his subject, instead allowing the audience to walk alongside him, with intricate tracking shots and immersive sound design alluding to a sense of progression, whilst actually reflecting a life spiralling in circles. Go to Full Review
Hernán Touzón El antepenúltimo mohicano 02/20/2019
3/5
A proper performance by [Milan] Maric. [Full review in Spanish] Go to Full Review
Read all reviews

Audience Reviews

View More
08/05/2020 Stylish and atmospheric portrayal of 70s Soviet bohemian life. Elegant shot choreography and cool naturalistic performances. Loved it. See more 02/28/2020 This film would have made a ton more sense were it called Dovlatov: the Musical, where they take each scene exactly as is and set it to song. The film somehow managed to reduce an important and weighty topic to an emotionless caricature. The filmmakers were working with a subject that already speaks for itself; so, it takes an extra special effort to turn it into a pointless, meandering indulgence of visual nostalgia of 1970s USSR. The film throws around superficial literary tropes but does little psychologically and emotionally to signal that Dovlatov is a writer. The lead actor is hardly believable as Dovlatov. The sole highlight for me was Beschastny's portrayal of Brodsky, the sole twinge of emotion in the film. His acting sticks out like a sore thumb in what otherwise would have been better staged as a musical, where they sing about the thing without really acting like the thing. See more 12/11/2018 The Russian scenario is heavy. Maybe it's the weather, the language, the clothes closed for people to withstand the cold inclement. Maybe it's the excess of alcohol and cigarettes, but to western eyes that never stepped in Russia, the movies of those bands always seem heavy, with characters of souls exhausting and taciturnas. We see this in films like "Leviathan" (2014) and "Loveless" (2017). In fact, I've never seen a Russian comedy. I do not even know if this kind of movie exists. "Dovlatov", for example, goes a long way. On the contrary. It is a real story about persistence, about resilience amidst the harsh Soviet regime then under the command of Leonid Brezhnev (1964-1982). In those days two artists lived in marginality. The poet Josef Brodsky (Artur Beschastny) and the writer and journalist Sergei Dovlatov (Milan Maric). Both never had their works published in newspapers and magazines simply because they did not exhibit an idyllic and heroic daily life of the Soviet homeland at the same time that they had relations with the West. Dovlatov, for example, was expelled from the Union of Journalists of the Soviet Union because he had published texts in the West. His first book was destroyed by KGB orders. Brodsky had his poetry considered pornographic and anti-Soviet. He had confiscated work, was interrogated and at least twice put in a mental institution. The poet was still sentenced to five years of hard labor on a farm in Norenskaya. Both did not want to talk about the giant Soviet Union. After all, the film shows that much of the population lived in conditions of low dignity, lack of money, without meeting basic needs and buying basic goods only through international smuggling. In this climate, Dovlatov, the protagonist of this story, walked from newspaper to newspaper, from magazine to magazine, trying to publish his stories. He was always rejected by the critical bias in the filming of Soviet propaganda films. He was advised to be more "optimistic." Everyone should be optimistic and talk about Soviet heroes. Aleksey German's film reveals that there was a bit of a major collective alienation. Dovlatov, however, could not afford such optimism. It portrayed what he saw without heroes and the grandeur of Greek epics that the film often brings up to compare with Soviet hyperbolism. It is curious to note these differences and to see how Dovlatov was slow to be recognized. Which shows how any regime that holds too much control of power and dominates its population with short reins is evil for the people. Both Brodsky and Dovlatov were only recognized after immigrating from the USSR. The first to Venice. The second to the United States. Dovlatov's first book was only published in 1989, the year of the fall of the Berlin Wall and in full force of glasnost, when the Soviet bloc broke up. The writer, however, did not live long to have recognition of his work. He died in New York in 1990 of heart attack at the age of 48. But anyway Dovlatov managed to achieve the childhood dream of becoming a writer. By the end of the 20th century it was among the favorites of the Russians. And so, to know his story, his film is so necessary. As hard as it sounds a little heavy and difficult to digest. See more 09/15/2018 ???????? ?????, ? ?? ???. ??? ? ?????. See more Read all reviews
Dovlatov

My Rating

Read More Read Less POST RATING WRITE A REVIEW EDIT REVIEW
The Two Popes 89% 88% The Two Popes Watchlist TRAILER for The Two Popes The Dig 88% 78% The Dig Watchlist TRAILER for The Dig Wildlife 94% 71% Wildlife Watchlist TRAILER for Wildlife Desert Dancer 31% 62% Desert Dancer Watchlist Just Mercy 85% 99% Just Mercy Watchlist TRAILER for Just Mercy Discover more movies and TV shows. View More

Movie Info

Synopsis In 1971 Leningrad, Russian-Jewish Sergei Dovlatov is a young writer whose manuscripts are routinely rejected by the official media, while other writers have been forced into exile for their views. Sergei wants to stay in the country with his family and write about the reality he sees, in spite of the fact that his texts will not be published under the Brezhnev regime.
Director
Aleksey German
Producer
Dariusz Jabłoński, Violetta Kaminska, Miroslav Mogorovich, Isabella Wojcik
Screenwriter
Aleksey German, Yuliya Tupikina
Production Co
Saga, Netflix, Channel One Russia
Rating
PG-13 (Smoking Throughout|Thematic Content|Some Bloody Images)
Genre
Drama
Original Language
Russian
Release Date (Streaming)
Oct 26, 2018
Runtime
2h 6m
Aspect Ratio
Scope (2.35:1)
Most Popular at Home Now