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Fantastically strange concept that feels like a dream, feels like you're watching it in a dream. A meditation on modern society and the power of sound.
Rated 5/5 Stars •
Rated 5 out of 5 stars
01/15/23
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Audience Member
I'm sure it was a near nirvana experience for many folks to see Japanese indie icon Tadanobu Asano, his hair blowing Fabio-iously in the breeze, standing on a hillside letting loose on six strings and four giant stacks of loudspeakers in an attempt to cure Aoi Miyazaki of her suicidal tendencies.
The story is a rather cute apocalyptic one: it's 2015 and a deadly virus is sweeping the population, causing those infected to become extremely depressed and ultimately commit suicide. The atonal music practiced by Asano and his partner appears to be an antidote to the disease. Music can save the world, ya know. A rich old man tries to persuade Asano, whose musical partner had the disease but committed suicide anyway (for dramatic plot effect), to jam for his infected grand-daughter. Fans of art-house noise rock will find something to enjoy here, and fans of art-house films who aren't put off by loud noises might like it too. Just know going in that it's slow and loud.
<a href='http://sitenoise-atthemovies.blogspot.com/2010/01/my-god-my-god-why-hast-thou-forsaken-me.html' target='_blank'>sitenoise at the movies: My God, My God, Why Hast Thou Forsaken Me?</a>
Rated 2.5/5 Stars •
Rated 2.5 out of 5 stars
02/10/23
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Audience Member
In the not so distant future a mysterious virus that induces suicidal behaviour has infected millions of people around the world. Meanwhile, a couple of 'noise' artists have become sought after when it is discovered that their noise-based brand of music may have the potential to cure the lethal disease. In some ways, Eri Eri is an ode to the actors/musicians and the performances that are lovingly featured all throughout the film (most of which were performed live in production by Asano and Nakahara). As with most of Aoyoma's work human despair is a prevalent theme amidst an underlying atmosphere of Zen-like calmness. The cinematography manages to convey the desolation through breathtaking shots of picturesque landscapes and hauntingly beautiful scenery. The dialogue is minimal and the modern rendition of the Jesus character (a rock star by virtue) in contrast is cold, disconnected, and taylor-made to Asano Tadanobuâs dead-pan style. Aoyama's meditative pacing and muted simplicity, work in tandem with the harshness of the noise-based soundtrack and the dark themes that are explored. Although it lacks any course of dramatic action Eri Eri still manages to be engaging, contemplative, and provides a space for quiet meditation. Forget about the plot, forget about conventions, just sit back, be patient, and let the film wash over you.
Rated 4/5 Stars •
Rated 4 out of 5 stars
02/03/23
Full Review
Audience Member
Awesome!Tadanobu Asano + not to distant future + Noise + Rock + Awesome Soundtrack = good viewing!
Rated 4/5 Stars •
Rated 4 out of 5 stars
02/20/23
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Audience Member
This film makes me think of Einstürzende Neubauten.
Rated 2/5 Stars •
Rated 2 out of 5 stars
02/23/23
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