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Mahanagar

Play trailer Poster for Mahanagar Released Jun 29, 1967 2h 11m Comedy Drama Play Trailer Watchlist
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93% Tomatometer 27 Reviews 92% Popcornmeter 500+ Ratings
Arati (Madhabi Mukherjee) takes a job as a door-to-door saleswoman in Calcutta's wealthy neighborhoods, in defiance of her traditionally minded husband, Subrata (Anil Chatterjee), and his live-in parents. Emulating her Anglo-Indian friend and co-worker Edith (Vicky Redwood), who speaks as an equal to the men she encounters on the job, Arati quickly becomes her firm's top salesperson. When Subrata loses his job, the power dynamic in the family begins to shift.

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Mahanagar

Critics Reviews

View All (27) Critics Reviews
Shubhra Gupta The Indian Express Satyajit Ray's masterly exploration of women stepping into the workplace, gaining independence, and thinking for themselves. And, the power of a red lipstick... Aug 16, 2021 Full Review Noel Murray The Dissolve Mostly, The Big City is impressive for how Ray makes his observations about Arati's lot in life without saying anything directly. Rated: 3.5/5 Aug 21, 2013 Full Review Tim Robey Daily Telegraph (UK) A bustling urban drama about the conflicts of work, gender and money, richly believable in the details and fascinating in its social vision. Rated: 4/5 Aug 16, 2013 Full Review Rich Cline Shadows on the Wall This remains a remarkably involving personal narrative, finely shot and edited, and played with open-handed honesty by a terrific cast. Rated: 5/5 Jul 27, 2022 Full Review Brian Eggert Deep Focus Review The Big City is less a topical statement about validating the economic worthiness of women in the workplace or the social order of women in Bengali society, but a person's need for validation - even if that extends beyond their social role. Rated: 4/4 Feb 14, 2022 Full Review Anna M.M. Vetticad Firstpost In a film packed with impeccable performances, the luminous Madhabi Mukherjee made her place in history books with her brilliantly subtle turn as Arati Mazumdar. Dec 2, 2020 Full Review Read all reviews

Audience Reviews

View All (28) audience reviews
Audience Member Every family needs income. So this is about life in a crowded household in 1950s Calcutta. Money is tight, so they are left with no other choice but for the mother (Madhabi Mukherjee) to go into town and find employment. She gets a job as a saleswoman, which should give them some breathing room, but some conservative outlooks on life may make things a bit complicated at home. Now I knew literally nothing about this. I had just finished watching two fairly generic action flicks, so I spun the wheel on the Letterboxd Top 250 Narrative Feature Films by putting it on shuffle. This was the first film that popped up, and it just so happened to be available for streaming on HBO Max. The leading Criterion logo at the start let me know what kind of film I was dealing with, and I have to say that this is a quiet and engrossing little film I stumbled upon. Now because I knew so little about this, I put myself in the mindset to prepare myself for something slow and stuffy given the year this was made. After all, modern attention spans continue to deteriorate as time passes, and it feels like every Snap or TikTok you watch makes it so you are more and more fidgety during a long movie. The print I watched is 135 minutes, but I never at any point felt bored by this. Money worries are something that most can relate to, but I was even able to connect with the struggle of ideals that this family went through. It seems almost ludicrous in this day and age; you wouldn't bat an eye about a woman pursuing a career today, but that is hardly the point because this is a different era and culture. It's a big deal to this family so it is, therefore, a big deal to the viewer, regardless of how antiquated this mindset may be. There is a stigma of emasculation that really only exists in the brains of these male characters, and it is a struggle that you want to see them overcome. I do not claim to have a background in Indian or Bengali films. However, I was still able to connect with this film in a big way. It seems highly progressive and feminist to me considering the year that this was released, and that was something I was able to appreciate. There is no sweeping dramatic action, and it is a touch on the slow side, but that was never something that bothered me at any point. I know that director Satyajit Ray has clout because of Letterboxd, and I want to watch more of his movies. I wouldn't mind watching this again, which is saying something when you consider the runtime. Rated 4 out of 5 stars 02/26/23 Full Review Audience Member One word review- Masterpiece! Rated 4 out of 5 stars 01/20/23 Full Review Audience Member 8.7/10, my review: http://wp.me/p1eXom-2w5 Rated 4.5 out of 5 stars 02/05/23 Full Review Audience Member A wonderful movie about a family navigating a changing social and economic society Rated 4.5 out of 5 stars 01/24/23 Full Review Audience Member i esp loved the indian/western music fusion used in this Rated 3 out of 5 stars 01/21/23 Full Review Audience Member What a beautiful and important film from India's master director Satyajit Ray. it follows the story of a housewife who decides to get a job as her family is heaving a hard time supporting themselves, and this causes strife within the family, and then the husband loses his job making her the sole breadwinner. The film is handled realistically in my opinion, it's stylish, well acted, and compelling. Very highly recommended! Rated 5 out of 5 stars 02/06/23 Full Review Read all reviews
Mahanagar

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Movie Info

Synopsis Arati (Madhabi Mukherjee) takes a job as a door-to-door saleswoman in Calcutta's wealthy neighborhoods, in defiance of her traditionally minded husband, Subrata (Anil Chatterjee), and his live-in parents. Emulating her Anglo-Indian friend and co-worker Edith (Vicky Redwood), who speaks as an equal to the men she encounters on the job, Arati quickly becomes her firm's top salesperson. When Subrata loses his job, the power dynamic in the family begins to shift.
Director
Satyajit Ray
Producer
R.D. Bansal
Screenwriter
Satyajit Ray, Narendranath Mitra
Distributor
Sony Pictures Classics, Edward Harrison [us], Merchant-Ivory Productions [us]
Production Co
R.D. Banshal & Co.
Genre
Comedy, Drama
Original Language
Bangla
Release Date (Theaters)
Jun 29, 1967, Original
Release Date (Streaming)
Mar 17, 2017
Runtime
2h 11m
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