Never Give a Sucker an Even Break

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acsdoug D @acsdoug Oct 7 There is no plot here, just a series of gags, occasionally interrupted by Gloria Jean's opera singing. Most of the jokes fail to land. See more Denny S 06/12/2023 Fields made two masterpieces ("It's A Gift" in 1934 and "The Bank Dick" in 1940, the third film of a four-picture deal with Universal). "The Bank Dick" was a hit, so Fields shot the works on what he knew would be his last starring film, 1941's "Never Give A Sucker An Even Break". The works which he shot was an all-out lampooning of the movie industry, with obvious autobiographical references of the fights that he had with the studios. He even played himself! The film is a hodge-podge and not one of his greatest films. Fields was heavier and less mobile than ever before, but still entertaining because he is so naturally funny. The disjointed appearance of the film was party due to Universal's post-production editing in an attempt to make the film more commercial. It was only moderately successful at the time, but it's reputation has grown through the years. See more 12/23/2020 This is one funny movie! The plot is ridiculous, but W.C. Fields pulls it off. You really need to watch this more than once to get all of the great lines Fields delivers under his breath! An unsung classic that you must see! See more 01/04/2018 A meandering, surreal masterpiece of various Hollywood talents. The singing by Gloria Jean (Schoonover) is actually her own singing too! See more 01/21/2017 Is it funny? Or is it just bizarre? Or is it funny because it is just plain bizarre? If you walked into this film without knowing anything about W. C. Fields, how would you make sense of it? Here we find Fields on the "Esoteric Films" lot, playing himself and pitching his next film project to a producer (played by Franklin Pangborn, also playing a version of himself). So, we see what Fields does in Hollywood (e.g., he stands under a billboard for "The Bank Dick" trying to attract compliments, he eats at a greasy spoon) and we get to see a re-enactment of the script that he describes (which finds him chaperoning his niece, Gloria Jean, to Mexico but falling out of a plane and landing on top of a mountain owned by Margaret Dumont). There isn't really a plot to speak of but instead a series of set-ups that allows Fields to mumble his usual snide asides under his breath, to sneak a few drinks, to try to achieve maximum advantage for himself with minimum effort, to drive like a maniac, and so on. In other words, this is the same Fields that audiences had grown to know and love. Pure ridiculousness and with some very odd musical numbers (by young teen Gloria Jean) thrown in. In some ways, the film is all reaction shots - odd things happen and everyone reacts - -with the chief one being the final word from Gloria: "My Uncle Bill....But I Still Love Him!" This turned out to be Fields' final picture as a star and despite his cantankerous, subversive, persona (or because of it), he remains one. See more 04/13/2013 Not my favorite Fields flick, but perhaps the weirdest. There's some truly surreal moments (and I wish there were even more) and a pretty solid car chase at the end (of course). I was somewhat disappointed with Margaret Dumont. She actually seems like she knew what was going on. I like her better in the Marx Bros. films where she's always 20 steps behind Groucho. See more Read all reviews

Never Give a Sucker an Even Break

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