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Reflections in a Golden Eye

Play trailer Poster for Reflections in a Golden Eye 1967 1h 49m Drama LGBTQ+ Play Trailer Watchlist
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55% Tomatometer 22 Reviews 58% Popcornmeter 1,000+ Ratings
An Army major (Marlon Brando) with a lusty wife (Elizabeth Taylor) feels homosexual in the 1940s South.
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Reflections in a Golden Eye

Critics Reviews

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Roger Ebert Chicago Sun-Times 07/02/2018
4/4
Brando regains the peak of his magnificent talent. After his series of six or seven disastrous performances, even his admirers had given him up for lost. But it was too soon. Go to Full Review
Empire Magazine 03/23/2011
2/5
Brando gives perhaps his worst ever screen performance, not counting Christopher Columbus: The Discovery. Go to Full Review
TIME Magazine 03/23/2011
All that remains praiseworthy is the film's extraordinary photographic technique. Go to Full Review
Matt Brunson Film Frenzy 05/16/2020
3/4
Such a unique motion picture experience that it's no wonder it flopped with moviegoers and most critics. Go to Full Review
Mattie Lucas From the Front Row 05/13/2020
3.5/4
The golden version gives the film a heated, otherworldly quality, as if its characters are wondering around in some sort of erotic dream, lost in a tangled web of their own unexplored desires. Go to Full Review
Gene Youngblood Los Angeles Free Press 02/03/2020
In short, this movie is a perfect demonstration of how the Hollywood syndrome has corrupted, distorted and misrepresented the art of film throughout its brief history. Go to Full Review
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Audience Reviews

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Russ G Sep 13 The sepia hued print even makes it LOOK like a Total PoS! See more Charlene H 04/03/2024 Although many of the motivations and relationships were left unexplained or muddled, it definitely kept my attention throughout. I hope to watch it again to see what I can pick up with hindsight. See more Red T 07/20/2023 What a Strange Film with a All Star Cast & Director with a weird result. The acting is surprisingly just ok. Taylor is the best thing in this and she's only decent honestly. For 85% of the film Taylor & Brando don't even interact really. Brando barely has any dialogue for most of his performance and Harvey doesn't say a single word. The editing isn't that good either. This never weaves the stories really of each couple/person together in a cohesive narrative. I understand the underlying theme is sexuality and sexual norms but it comes across as abstract stories merged together rather than each character having unique challenges that contribute not just to the whole of a message but the whole of the story also. I feel similar about this to The Last Picture Show in that sense where it feels like the characters share the same setting but not the same story. The lack of a focused narrative, nothing special acting all eventually start to weigh on this and make it feel like a slog by the final 30 minutes. Everything else is ok fundamentally speaking as well. I understand the color filter is supposed to convey through the perspective of lust and desire but it comes off more as distracting than anything. Huston could've just used red lighting to convey this instead. Heck Hitchcock did a decade before this in Vertigo. Harvey's character feels completely unneeded and the storyline of the horse beating feels out of place. This needed a tighter narrative, more dialogue for certain characters, and more scenes of confrontation between Taylor & Brando to take advantage of the greatest assets this has and finally get rid of the gold filter. Honestly unless your a die hard Taylor fan I can't recommend this to anyone. I appreciate they wanted to try something risky but it just doesn't work that well unfortunately for casual viewers. (Maybe it does for Art House Film Fans but I can't speak for that) See more David H 04/17/2023 One of the strangest movies I've ever seen. The acting is good but the plot and premise is bizarre. One wonders what kind of mind would conceive of a movie like this. See more 07/15/2022 I was almost ready to award this film 5 stars, but Brando's recurrent mumbling made me feel as though I was missing some critical dialogue at key moments in the story. If this film were released in 2022, not 1967, some of the insinuation about Brando's sexuality could have been more clearly defined, and perhaps, better understood. Liz Taylor does the best she can, seeing as the overarching theme seems to be, "What will Weldon (Brando) do next?" Julie Harris is genuine in a role custom-made for her -- neurotic and uncomfortable with herself. Her husband's (Brian Keith) infidelity with Taylor seems to be somewhat of a distraction in the movie, while we wait to see if Brando is still stalking Private L.G. Williams (Robert Forster). My main annoyance with this film is the stretch of imagination I had to overcome to accept that Liz Taylor would never stir or even completely awaken in shock to find a man leering at the foot of her bed (several times). The final scene is decidedly over-the-top, and I found the film's golden hue to be less than clever after almost two hours. With all that said, the word bizarre best describes this film, and bizarre is always worth a shot. See more 03/19/2022 I wanted to like this; how can John Huston make a bad film? Well, I gave it 17 minutes and nuthin' happened. An out-of-shape Marlon Brando mumbled in a Southern accent. Either Huston or the cinematographer decided that a sepia hue would be nice. Well, that might be fine if the thing weren't so dreadfully boring. See more Read all reviews
Reflections in a Golden Eye

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Movie Info

Synopsis An Army major (Marlon Brando) with a lusty wife (Elizabeth Taylor) feels homosexual in the 1940s South.
Director
John Huston
Producer
John Huston, Ray Stark
Screenwriter
Carson McCullers, Chapman Mortimer, Gladys Hill
Distributor
Warner Home Vídeo
Production Co
Warner Brothers/Seven Arts
Genre
Drama, LGBTQ+
Original Language
English
Release Date (Theaters)
Oct 11, 1967, Original
Release Date (Streaming)
Nov 18, 2016
Runtime
1h 49m
Sound Mix
Mono
Aspect Ratio
35mm, Scope (2.35:1)
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