Stations of the Cross

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Tom Y The first part of the movie was absolutely mesmerizing with regard to the classroom. Really got me to think. But then when mom entered in, I saw the devil incarnate, as it were, deplorable with all the bullying. I nearly gagged, and almost went running out of the house shrieking. After finally settling back down, I turned it on again, no volume, only subtitles. And then I saw it. The titles of each section were so deep I really had to keep my thinking cap on. As the movie progressed (or should I say digressed), the bullying continued in both direct and indirect ways. What should killer! This is what made the movie so special. She followed in Jesus' steps every step of the way. As Jesus, she responded so beautifully to the bullied degradation. And what of her mother? You'll be awed by the conclusion. Rated 4/5 Stars •  Rated 4 out of 5 stars 08/19/25 Full Review Audience Member I can only watch the first two or three sections of this film because I found the subject matter so depressing. It's a very interesting idea for a film, though, and I may revisit it at some point. Meanwhile, I'd prefer to commemorate Easter this year with a more positive message. Rated 2.5/5 Stars •  Rated 2.5 out of 5 stars 02/14/23 Full Review dave s Mirroring Christ's journey to his crucifixion, Stations of the Cross tells the story of Maria (Lea Van Acklen), a young teenager drawn into the life of strict Catholicism by her overzealous mother, a woman who sees danger in anything that does not conform to her narrow-minded belief system. Director Dietrich Bruggemann adopts an Ozu-like style, using only fourteen shots over the course of the film, all but two of them static for the duration of the scene. Thanks to an insightful script, subdued but effective acting, and remarkably well blocked shots, the movie is a powerful and damning indictment of the power and danger of blind faith. Rated 4.5/5 Stars •  Rated 4.5 out of 5 stars 03/30/23 Full Review Audience Member Very few of the reviews came close to understanding the import of this film. Without reading what Dietrich Brüggemann and his sister Anna have to say about the film, it's impossible to work out whether the miraculous cure of the heroine's brother was written in to add a layer of spurious complexity and add a trompe l'œile impression of depth, or whether Anna and Dietrich fully understood their own script. I would opt for the former, but in that case, the film has overtaken its makers, and stands as a counter-cultural monument to a disintegrating Germany and Western Europe generally. Most critics, predictably, looked at the window and saw only their own reflection. And that, also, is the story of the modern West. This is a must-watch movie. Rated 5/5 Stars •  Rated 5 out of 5 stars 02/12/23 Full Review Audience Member Minimal direction perfectly suited to this beautifully acted and scripted film. Rated 4/5 Stars •  Rated 4 out of 5 stars 09/03/19 Full Review richard i Devastating study of fanaticism which does its best not to try to attack religious faith, but does end up taking out most of the fundamentals of Christian belief and seems to swipe quite hard at the nuclear family as well (though nothing is that unambiguous in this measured film), Some over-acting possibly because of the way it was shot and directed, but some inescapably poignant performances from the leads that may well induce feelings of sorrow and anger. Rated 4.5/5 Stars •  Rated 4.5 out of 5 stars 03/30/23 Full Review Read all reviews

Stations of the Cross

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