Tyler G
The set design, acting, lighting, sound, and story are so much more ambitious than pretty much all of its Silent Era peers. It is still a great watch over 100 years later.
Rated 4.5/5 Stars •
Rated 4.5 out of 5 stars
10/22/24
Full Review
Nick M
What a difficult film to review. There are so many contradictions, so much reinterpretation and jostling by collaborators, critics, and film historians to say something new or to claim some part of the credit that there is nothing approaching a unified viewpoint what this film is, how it came to be, or what it attempts to say. It is generally considered one of the best (or often *the* best) example of German Expressionism in film. However, at least one historian (David Robinson) has pointed out that only the art design has elements of Expressionism, and that the picture could just as easily have been told using a traditional design scheme because of how conventional the story is. This, he contends, doesn't make it an example of Expressionism at all because it clearly was not part of the intention of the authors. Moreover, the cinematography is downright pedestrian, suggesting that even the director had no such artistic motivation. The impression that begins to come together is that the magic that made this film a phenomenon was something of an accident. The writers, producers, multiple directors, and even people who were only tangentially involved have made contradictory, often wild claims about their own outsized role in the making of what is truly one of the most innovative, unique, startling, and thought-provoking films of early cinema. What is clear is that art designers Hermann Warm, Walter Reimann and Walter Röhrig brought something mind-bendingly new to the screen that contributed to the psychology of the picture, and influenced the psyches of the audience to a degree that was unprecedented, and that set the imaginations of their contemporaries ablaze. Those ripples went far beyond Weimar Germany - I kept getting glimpses of Dr. Seuss and Tim Burton popping into my head! It isn't at all clear during most of the film why the minimalistic sets are filled with harsh angles and abstract furniture, and why they are painted in such a way as to warp perspective and confound our sense of place and security. Most of the actors don't seem to belong in this space at all. Whether intentional or not, all but Krauss (Dr. Caligari) and Veidt (Cesare) play things rather straight. Only those two mold their make-up, characterizations, and movements to fit the art design. It cannot be coincidence that they are the only two who had experience acting in Expressionistic theater! Only when we realize that the story is being told by a madman does the art design begin to make sense. What an awesome realization. Regardless of how it came to be, this early horror film (possibly the first that can claim the title) is an absolute must-see.
Rated 5/5 Stars •
Rated 5 out of 5 stars
10/16/24
Full Review
Elvis D
El director alemán Robert Wiene ha realizado una película que dejaría una gran marca en el mundo del cine y que se ha ganado muchos títulos: la primera película de horror auténtica, el primer thriller, la primera película de culto, la primera película del cine de arte, la primera película de horror psicológico o thriller psicológico, la primera película de zombis, etc. El título más grande que Das Cabinet Des Dr. Caligari se ha ganado es sin duda ser la primera película del expresionismo alemán por ser considerada una excelente obra de dicho arte. Es una película que ha hecho que figuras como Frederick Murnau o Fritz Lang impulsaran el expresionismo en el cine alemán. Además, esta película terminaría siendo una fuerte inspiración para el cine de terror, el cine gótico y el cine neo-noir. Sin olvidar mencionar que inspiraría a figuras como Orson Welles, Alfred Hitchcock, Nicolas Cage y Rob Zombie. La película es una obra de arte por su estética visual que muestra una realidad completamente deformada que va de acuerdo al ambiente y la perspectiva psicológica de quien narra la historia. Se trata de algo realmente único con un concepto que muy difícilmente ha podido ser replicado en otras películas. La banda sonora va variando debido a que la película ha tenido distintas varias sonoras según las regiones en que se estrenó, pero la mayoría logran cuadrar con el ambiente de la película. Al principio se trata de un thriller sobrenatural, pero eso cambia a un thriller psicológico cuando se trata de explicar quién es Caligari. Lo que remata bastante no es el giro argumental sobre la identidad de Caligari, la película ofrece dos giros argumentales. El segundo se vuelve muy inesperado por derrumbar lo que ya se tenía claro sobre la trama y llega a un punto en que no se sabe nada de lo contado sucedió realmente o fue una versión deformada de los acontecimientos. La película termina dejando cuestiones que quedan bajo la libre interpretación del espectador y además deja en claro porque la psicología se vuelve algo fundamental. El segundo desenlace sugiere que la realidad deformada que esta película muestra es un factor psicológico. La psicología termina jugando bastante con lo que esta película nos muestra y deja la incógnita de sí lo que narra es una realidad con hechos distorsionados o una fantasía inventada por un demente. Eso hace que Das Cabinet Des Dr. Caligari sea una pesadilla surrealista llena de misterio y una gran obra de arte que cualquier amante del cine o del arte tiene la obligación de ver. Mi calificación final para esta película es un 10/10.
Rated 5/5 Stars •
Rated 5 out of 5 stars
04/05/24
Full Review
Sachin E
This film is so cursed that none of the original cast or crew remain alive today. Imagine that.
Rated 4.5/5 Stars •
Rated 4.5 out of 5 stars
01/26/24
Full Review
Jon A
I liked the entire thing... except the end. It ends so weirdly abruptly. Like... "i can cure him!" then it ends. Strange.
Rated 4.5/5 Stars •
Rated 4.5 out of 5 stars
12/05/23
Full Review
Monsol E
This movie's style is absolutely gorgeous! The sets were amazing, the costumes and makeup were really good too...I feel like Tim Burton based his entire personality off of this movie.
The story is basic, but the setup of a "mad carney and his pet homicidal sleepwalker" is really fun! And for the time I'm sure this was super creative...I know I've never encountered the term "Somnambulist" before...so maybe it still is?
The movie flowed really well, even if a few scenes were a bit pointlessly long.
Everything was shot, and acted wonderfully...Essentially everything about this movie was either good, or REALLY good...except maybe the ending...
*SPOILER WARNING*
...am I dumb? Was all that happened, in all it's intricacy, just the ramblings of a insane mental patient?...that was the payoff?
I see there's a ludicrous amount of discussion about the film and it's themes...but I don't have months to sift thru all that...the quickest I see is that it's themed around the abuse of authority...ehh...I see the parallels between Caligari and his thrall, to the doctor and his patients...
...Maybe I DO get it?
Honestly, you should watch it and figure it out yourself. It's not long, and it's very entertaining, if a bit perplexing.
Rated 4/5 Stars •
Rated 4 out of 5 stars
10/14/23
Full Review
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