The Name of the Rose

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Alain E Pretty good adaptation of the Umberto Ecco book that was quite a publishing event when it came out. You have to accept that you care about the machinations of the Catholic Church in the medieval times. It starts slow, but when it ignites, somewhere in the middle, it holds our attention to the end. All the action occurs inside a remote monastery and most of it inside the hidden library. There is one unexpected sex scene and many killings. Brush up your latin if you are old enough to have been instructed in high school. And finally, if you are a man arguing with your wife, Sean Connery provides us with an argument from Ecclesiastes: more bitter than death is woman! Thanks, Tubi! Rated 3.5/5 Stars •  Rated 3.5 out of 5 stars 02/02/25 Full Review Maia C Love love loveeed this sooo much this was amazing the acting was amazing christian slater was an amazing actor he played his character teally well and at only 16 he was actually amazing all the actors were this movie is a must watch Rated 5/5 Stars •  Rated 5 out of 5 stars 01/03/25 Full Review Gus B Roger Ebert famously dismissed The Name of the Rose as a film that “strands its characters in an impenetrable, murky plot.” But honestly, Roger, was it the plot, or did you just forget to bring your decoder ring? Ebert claimed the movie was "confusing" and lacked clarity, but perhaps he underestimated his audience's ability to appreciate a story that doesn’t spoon-feed every detail. It’s as if Ebert walked into a medieval monastery expecting an episode of Columbo and left disappointed that he didn’t get a tidy, cigar-smoking confession at the end. He seemed overly hung up on the film’s complexity, dismissing it as frustrating rather than reveling in its layered intrigue. Maybe Roger was having an off day when he penned that review. Or maybe he just didn’t trust the audience to appreciate a film that asks for patience, engagement, and a willingness to embrace the shadows. Either way, I’ll take Connery brooding in a medieval library over Ebert’s quibbles any day. As for the film, The Name of the Rose, thrives on its rich atmosphere—thanks in no small part to Dante Ferretti's production design and Tonino Delli Colli's cinematography. The monastery feels alive with history, its labyrinthine halls and foreboding library becoming characters in their own right. This is not a straightforward whodunit; it’s a meditation on the perils of dogmatism and the liberating power of knowledge. True, it omits much of Eco’s philosophical depth, but it compensates by delivering an engrossing, eerie mystery wrapped in a stunning visual package. Truly an amazing film. Rated 5/5 Stars •  Rated 5 out of 5 stars 12/14/24 Full Review nicokush 4 Good medieval movie about monks Rated 3.5/5 Stars •  Rated 3.5 out of 5 stars 08/25/24 Full Review Gabriel C Even taking into account all the limitations of doing such an adaptation (and the technology available at the time), I cannot, as someone who had read the book prior to watching, and by no means carrying unrealistic expectations about the challenges of adapting a book, recommend this movie. I can say some good things about its technical aspects, as well as the acting, but the story is egregiously butchered to the point of being unrecognizable. Almost everything that made the source material great is either absent or severely watered down to the point it lost any significance. On its own, it's a mistery that says too little about anything. Compared to the book, it only gets worse. Rated 2/5 Stars •  Rated 2 out of 5 stars 06/09/24 Full Review Jeremy _ I have watched this film about 20 times. It is a great adaptation of a fantastic book. Rated 5/5 Stars •  Rated 5 out of 5 stars 03/19/24 Full Review Read all reviews

The Name of the Rose

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