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      Things to Do in Denver When You're Dead

      1995, Crime/Drama, 1h 54m

      30 Reviews 10,000+ Ratings

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      Critics Consensus

      Just watch a Tarantino movie instead -- and buy a Warren Zevon record while you're at it. Read critic reviews

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      Things to Do in Denver When You're Dead (1995) Things to Do in Denver When You're Dead (1995) Things to Do in Denver When You're Dead (1995) Things to Do in Denver When You're Dead (1995) Things to Do in Denver When You're Dead (1995) Things to Do in Denver When You're Dead (1995)

      Movie Info

      Ex-crook Jimmy "The Saint" Tosnia (Andy Garcia) is trying his best to go legitimate until he's dragged back into the world of crime for one last, seemingly simple mission. All Jimmy and his eccentric cronies have to do is intimidate their target. But they make a disastrous series of mistakes that result in the death of a woman connected to a powerful gangster. Before long, Mr. Shhh (Steve Buscemi), a notorious assassin who never slips up, is sent to take down Jimmy and his partners.

      • Rating: R

      • Genre: Crime, Drama, Mystery & thriller

      • Original Language: English

      • Director: Gary Fleder

      • Producer: Cary Woods

      • Writer: Scott Rosenberg

      • Release Date (Theaters):  original

      • Release Date (Streaming):

      • Box Office (Gross USA): $232.2K

      • Runtime:

      • Distributor: Miramax Films

      • Production Co: Miramax Films, Woods Entertainment

      • Sound Mix: Surround

      Cast & Crew

      Critic Reviews for Things to Do in Denver When You're Dead

      Audience Reviews for Things to Do in Denver When You're Dead

      • Apr 22, 2013

        Post Quentin Tarantino and "Reservoir Dogs" there was an influx of stylish and fast-talking crime movies. It became the fad during the 90's and beyond. "True Romance", "Pulp Fiction" and "The Usual Suspects" were another few. Some fell by the way side while others genuinely succeeded and "Things To Do In Denver..." is one of those films that creates a positive, lasting memory. Crime escapades and colourful characters are what this film has in abundance. In order to fund his small business, Jimmy the Saint (Andy Garcia) is in debt to lone sharks. However, his debt is bought over by an old venomous cohort from the past (Christopher Walken) who drags Jimmy back into a life of crime and orders him to scare off the new boyfriend of the ex-fiancée of the boss's simple-minded son and heir. Jimmy assembles a tight-knit crew to keep the job simple but things don't go to plan, leaving him and his friends with contracts on their heads. As the lively and spirited Tom Waits song "Jockey Full of Bourbon" is played overhead we are introduced to our suave, confident, wheeler/dealer protagonist 'Jimmy the Saint' and given an almost instant idea of this films stylish intentions. Like Jimmy, this film moves fast and talks fast. However, this isn't strictly down to him. Where this film succeeds is not just in one particular character or it's particularly cool demeanour. Where it succeeds, is in it's plethora of interesting and delicately written supporting roles and a whole hot of quality actors to embody them. A lot of them get limited screen time but it's still a testament to the writing qualities of Scott Rosenberg who manages to give them enough of a backstory to make them stand out and the actors bring the right amount of presence required for us to invest in them. The real standouts from Jimmy's crew are: Christopher Lloyd's leper - nicknamed 'Pieces' on account of his fingers and toes falling off from a circulatory disease and a completely on-edge Treat Williams as 'Critical Bill' - a psychopath, who can't seem to stop harming people. He even uses funeral parlour corpses as punchbags to relieve his tension. There is also excellent support in Christopher Walken's crippled mob leader 'The Man With The Plan', who's so ruthless, he even threatens to have his henchmen pull out his "dead dick" for Jimmy to suck on. He's a lamentable nasty but one that Walken excels at, and all the more, because he acts only from the neck up. On the sidelines - but no less memorable - is Steve Buscemi's clinical hitman 'Mr. Shhh', who's brought in to despatch of Jimmy and his crew. Buscemi gets the least amount of dialogue and screen time but anyone familiar his role in "The Big Lebowski" will know that this is never a problem for him to still make a lasting impression. At times, there is an elusive nature to the sharply written dialogue and the characters' use of a distinctive vocabulary but it only helps to convey a strong bond and understanding between them. On closer inspection, their patois is explained and the camaraderie and altercations throughout the film are driven by paying as much as attention as it does, to such a vernacular approach. Fast talking dialogue with fast and colourful characters in the fast and dangerous Denver underbelly. This film has the goods to satisfy fans of the crime genre and manages just the right amount of cool that Quentin Tarantino made his name on. An overlooked and thoroughly entertaining addition to the genus. Mark Walker

        Super Reviewer
      • Jan 08, 2012

        Some memorable lines, and a couple of darkly funny moments. Combine this with some solid performances by Garcia, and Walken, and you still have a movie that isn't too bad...but not great. This movie is a prime example of a casting director filling a film with really good actors, to make up for a rather weak script.

        Super Reviewer
      • Dec 26, 2011

        Despite a well-modulated performance from Andy Garcia, "Things to Do in Denver When You're Dead" is decidedly average. I found the scenes involving Jack Warden to be boring and unnecessary and the entire film felt just a little too "excessive".

        Super Reviewer
      • Jul 15, 2011

        Things to Do in Denver When You're Dead is an interesting blend of black comedy, modern noir, love story, and gangster film. Though it lacks the polish and sustained momentum of the Tarantino films it's made in the style of, it's compelling on its' own terms. This is perhaps Andy Garcia's best film (even surpassing Internal Affairs), and Christopher Walken is his usual menacingly crazy self. I especially loved the rich dialogue, though it often seems out of place for its' setting, but I suppose that's the point.

        Super Reviewer

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