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      The Woman Next Door

      R Released Sep 30, 1981 1h 45m Romance List
      85% 13 Reviews Tomatometer 86% 2,500+ Ratings Audience Score Bernard Coudray (Gérard Depardieu), a teacher, lives with his wife and small son in quiet, idyllic rural France. One day, though, a married couple moves into the house next door. Strangely enough, the woman -- Mathilde Bauchard (Fanny Ardant) -- happens to be Coudray's ex-lover, with whom he had an intense affair years earlier. Coudray resumes his obsession with Bauchard, and their rekindled romance threatens to destroy both their marriages -- if it doesn't destroy each of them first. Read More Read Less

      Critics Reviews

      View All (13) Critics Reviews
      Roger Ebert Chicago Sun-Times A profoundly Hitchcockian film, in that its real subjects are guilt, passion and terrible consequences of a sin that starts out small. Rated: 3.5/4 Oct 23, 2004 Full Review Vincent Canby New York Times The work of one of the most continuously surprising and accomplished directors of his day. Rated: 4/5 Aug 30, 2004 Full Review Dave Kehr Chicago Reader In the end, the film is not about an attraction between two people, but about the love of the spectator for the image -- the perverse transactions between the audience and the screen. Jan 1, 2000 Full Review Robert Dunbar Philadelphia Gay News Depardieu brings to his part a lumpish, hulking charm; picture a viciously unhappy and musclebound five-year-old -- a sort of middle-class James Dean. May 27, 2020 Full Review Diego Galán El Pais (Spain) François Truffaut's tragedy inherits elements of the tackiness of romance novels. [Full Review in Spanish] Aug 22, 2019 Full Review Betsy Sherman Arts Fuse The Woman Next Door (1981) unites the sublime Gérard Depardieu with big-screen newcomer Fanny Ardant in a combustible drama about the consequences of passion. Aug 8, 2017 Full Review Read all reviews

      Audience Reviews

      View All (79) audience reviews
      william k A highly dramatic, passionate and ultimately tragic amour fou tale relies mostly on the strong performances by Ardant and Depardieu. Rated 3 out of 5 stars 03/31/23 Full Review andrey k A compelling and expertly made drama about mad love, which transcends every bound of moderation and control and controls instead.Every human passion can be scary when it can't be checked, even such beautiful feeling as love. Directed and acted superbly. Rated 4 out of 5 stars 03/31/23 Full Review Audience Member As it stands as a study of the perils that color obsessive love, François Truffaut's "The Woman Next Door" (1981) is well aware that victims of it are common connoisseurs of the notion that life is meaningless without their object of affection by their side. To be away from them -- distanced by any other relationship beside theirs-- is not an option. To die (with them, of course) is more acceptable an offer than any sort of makeshift independence. Within its first few moments, though, is it not much clear that "The Woman Next Door" is going to revolve around such matters. Initially does it take on the form of a comedy of manners and then an erotic drama, a "Fatal Attraction" (1987) without the thrills or the mania, if you will. It stars the ever affable Gérard Depardieu as Bernard Coudray, a stereotypical bourgeois husband living happily with his wife (Michèle Baumgartner) and son in the village of Grenoble. Still not yet in the grips of the inevitable boredom that comes along with living the life of a less happy-go-lucky Mike Brady, he'd be content acting as breadwinner for the rest of his mundane life. Or so he thinks. Things are made interesting, then, when the Coudrays get new neighbors. They are Philippe and Mathilde Bauchard (Henri Garcin and Fanny Ardant), newlyweds renting the charming house for the time being. It turns out, though, that the people next door (the woman next door, to be exact) are not total strangers: eight or nine years ago, Bernard and Mathilde were lovers, and the split wasn't amicable. Some would say that Mathilde was more in love with Bernard than he was with her, and that imbalance led to repeated bouts of volatility during their run together. Tensions could be released by admitting the truth -- the relationships between both spouses appear to be healthy enough to take such revelations lightly and laugh them off -- but Bernard and Mathilde unwisely keep their connection a secret until it blooms into a redeveloped affair. Before long, they're inconspicuously meeting in the same hotel room nearly every weekday evening, partaking in the pleasures of each other's company to the cluelessness of their respective spouses. All culminates in disaster, as most cinematic affairs do. But Truffaut, intriguingly, hides the obsessive nature of one of his leading characters until all hell breaks loose, a move that'd be much more affecting if the film smelled more like slow-burn suspense. But it doesn't: we can't much tell where it's going or if it wants to be an immoral romantic drama or a psychological provoker. Ardant and Depardieu's performance are effective in themselves, their chemistry flaming. But Truffaut explores his themes of obsession far too casually for a feature that begs to nurse at least a couple throbs of melodramatic grandeur. "The Woman Next Door" should be Hitchcockian, but only its character types match up with the latter's distinctive stylistics, the rest of the film's methodical output without much character or direct texture. The ending's assuredly bold, and yet it seems to belong to a more operatic, intense film; "The Woman Next Door's" understatedness doesn't complement it. Though like a lot of minor works from great directors, everything about it is immaculate -- except the impression it leaves on us, and no artistic mastery can hide receptionary indifference. Rated 2.5 out of 5 stars 02/03/23 Full Review pasha a Not my favourite, could have a more believable ending. Rated 2 out of 5 stars 03/31/23 Full Review Audience Member The chemistry between Depardieu and Ardant makes it more of the most remarkable work of Truffaut. Rated 3.5 out of 5 stars 02/25/23 Full Review Audience Member A profoundly Hitchcockian film, in that its real subjects are guilt, passion and terrible consequences of a sin that starts out small. Rated 3 out of 5 stars 01/21/23 Full Review Read all reviews Post a rating

      Cast & Crew

      57% 62% Yanks 83% 67% The French Lieutenant's Woman 94% 73% Choose Me 92% 86% The Hairdresser's Husband 50% 57% A Man in Love Discover more movies and TV shows. View More

      Movie Info

      Synopsis Bernard Coudray (Gérard Depardieu), a teacher, lives with his wife and small son in quiet, idyllic rural France. One day, though, a married couple moves into the house next door. Strangely enough, the woman -- Mathilde Bauchard (Fanny Ardant) -- happens to be Coudray's ex-lover, with whom he had an intense affair years earlier. Coudray resumes his obsession with Bauchard, and their rekindled romance threatens to destroy both their marriages -- if it doesn't destroy each of them first.
      Director
      François Truffaut
      Screenwriter
      François Truffaut, Suzanne Schiffman, Jean Aurel
      Distributor
      United Artists Classics, Criterion Collection
      Rating
      R
      Genre
      Romance
      Original Language
      French (Canada)
      Release Date (Theaters)
      Sep 30, 1981, Original
      Runtime
      1h 45m
      Sound Mix
      Mono