Season 1 – Pose

Audience Reviews

View All (83) audience reviews

Ricardo R gage so so so harded my my Rated 5/5 Stars •  Rated 5 out of 5 stars 05/01/25 Full Review Z Y The story is nicely constructed, but I struggled to grasp the charm of that specific culture. Perhaps it's just too different from my own background. Rated 4/5 Stars •  Rated 4 out of 5 stars 10/29/24 Full Review Michael L A thoughtful and well considered representation of lives lived on the fringes. Rated 5/5 Stars •  Rated 5 out of 5 stars 11/28/23 Full Review Caroline H Love this show! I'm in the first season still but disappointed aren't more than three. The material is fresh, it brings to light a world I knew little to nothing about, in a decade I was born in but can't remember. Rated 5/5 Stars •  Rated 5 out of 5 stars 07/19/23 Full Review Audience Member Ryan Murphy really did an amazing job in showcasing the ballroom culture in New York City during the 80's. Pose ultimately highlights the underlying themes of this underground scene and everything that came along with it. There are visible intersections between the characters that should be addressed. Throughout the show it was revealed that there were people of different social status. It was almost certain that the white characters were mostly wealthy and of higher class. Rather than all BIPoc, were being presented as broke in a lower social class. Diving deeper into intersectionalities, the people who attended the Balls in Ballroom were of the LGBTQ+ community. They have created such a safer space than they would be experiencing out on the streets. Actresses, Indya moore, Mj Rodriquez, Angelica Ross, and many more play transgender women both on an off set. They truly shape the way of what Black trans women go through in New York during the 80's. Most of the time these women would result in having to work by selling their body and enacting in sexual acts. Most of the time since they are Black Trans women they would often time get turned a blind eye on certain work or jobs, basically forcing them to do sex work to live their daily lives. It's a very dangerous way to earn money but the community knows the people and works together to be safe. According to the article Navigating Intersecting Identities…"Sex workers who identify as transgender experience the intersections of social, cultural, and institutional stigma, and face discrimination on systemic, institutional, and interpersonal levels due to their gender identity" (Capous-Desyllas & Loy). With that being said, with their gender identity they ultimately have a harder time just trying to earn a living. We can see a moment where Indya Moore, also known as Angel Evangelista, breaks the social barrier of the heteronormative world and was accepted into the world of modeling. She was ultimately introduced to corruption as well and the unnatural relationships between photographer and clients. This does not mention how we see the opposite intersection of White cis men and women. Living normal day to day lives assisted by their corporate jobs. Evan Peters, also known as Stan Bowes, shows this higher class lifestyle as a Heterosexual white man. Later finding out that his perfect life was just not enough and he ends up having an affair with Angel Evangelista. Rated 5/5 Stars •  Rated 5 out of 5 stars 01/09/23 Full Review Audience Member One prominent feature within the show POSE is the idea of ballroom culture and the structure it builds for the members of the house. As described in Arnold and Bailey's work, ballroom culture or "house culture" consisted of "anchoring family-like structures, called houses, and the flamboyant competitive balls that they produce" (Bailey, 2009, pp. 3). During the ballroom culture peak around the 1980s, these communities were seen in hot-spot locations like New York and Miami among the LGBTQ community. The house culture provides homes for individuals who could not find acceptance within their biological family. Much like typical family settings, the house culture seen in POSE has house mothers that provide and encourage their children to survive and become successful. Under mother Blanca's rules, every child of hers must pursue education. One of her children, Damon, is an advanced dancer and pursues dance classes. Just like any other mother, she creates rules to follow and although the balls are a huge part of their culture, she treats them as privileges. For example, when Damon was slacking off in his dance classes, she did not allow him to participate in the Snow Ball. This was a big deal to Damon because ball culture is a way for each member to express themselves and display their family in a desirable light. Much like any other mother, she also preaches how important it is to not steal, even if it's for the balls they compete in. Nonetheless, the house of Evangelista finds a way to look fabulous and even gives the reigning house of Abundance a run for its money. Another form of support that the house culture provides that goes further than just social support and community is HIV-related support (Bailey, 2009). The setting of POSE is set up in the 1980s, also known as the time of the AIDS pandemic. The characters often discuss their fears of contracting "the virus" and house mothers such as Blanca always emphasize to her children the importance of safe sex and getting tested. Other elders that are idolized within the show and the ballroom culture like Pray Tell also encourage the boys to remain aware of the dangers of engaging in sexual intercourse with other men. Outsiders from this community such as Damon's biological mother saw the virus as a punishment for being gay. Especially during a time where there was so much uncertainty of what the virus was, the house support was very important to young men in the film such as Damon, Ricky, and Lil Papi who were all children of the house of Evangelista. Overall, the first three episodes in particular show an accurate representation of what can be considered as "ballroom culture" and the resources that being in a house provides. It depicts the idea of lost souls having a home away from home and expressing themselves in the balls where the community came together. There is also a very realistic approach that gives the audience a real-life look into what the community during this time experienced with the constant fear of the AIDs pandemic. Rated 5/5 Stars •  Rated 5 out of 5 stars 01/09/23 Full Review Read all reviews

Pose — Season 1

My Rating

Read More Read Less POST RATING WRITE A REVIEW EDIT REVIEW