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Jeannine Oppewall
A former curator and researcher, Jeannine Oppewall (sometimes credited as Jeannine Claudia Oppewall) has been working as a production designer since the early 1980s. Born in Massachusetts, she studied medieval studies at Bryn Mawr. After graduating, Oppewall worked for famed American designer Charles Eames, eventually handling post-production and distribution work on the over 100 films Eames and his wife Ray produced between 1950 and 1982. Additionally, she assisted in the creation and organization of museum exhibits and in the actual designs for architecture and furniture.
Photos
Jeannine Oppewall
Filmography
Movies
| Credit | |||||
|---|---|---|---|---|---|
| 35% |
|
Deep Water | Production Design | - | 2022 |
| 51% |
|
The Best of Enemies | Production Design | $10.2M | 2019 |
| 74% |
|
Wakefield | Production Design | $259.4K | 2016 |
| 56% |
|
Rules Don't Apply | Production Design | $3.6M | 2016 |
| 76% |
|
Last Days in the Desert | Production Design | - | 2015 |
| 70% |
|
5 to 7 | Production Design | $116.4K | 2014 |
| 44% |
|
The Face of Love | Production Design | $309.4K | 2013 |
| 88% |
|
Eames: The Architect & the Painter | Unknown (Character) | $147.6K | 2011 |
| 31% |
|
How Do You Know | Production Design | $30.2M | 2010 |
| 17% |
|
The Happening | Production Design | $64.5M | 2008 |
| 56% |
|
The Good Shepherd | Production Design | $59.9M | 2006 |
| 59% |
|
The Sum of All Fears | Production Design | $118.5M | 2002 |
| 81% |
|
Wonder Boys | Production Design | $19.4M | 2000 |
| 86% |
|
Pleasantville | Production Design | $40.6M | 1998 |
| 99% |
|
L.A. Confidential | Production Design | $64.6M | 1997 |
| 77% |
|
Primal Fear | Production Design | $56.1M | 1996 |
| 45% |
|
Losing Isaiah | Production Design | $3.7M | 1995 |
| 37% |
|
Corrina, Corrina | Production Design | $20.2M | 1994 |
| 49% |
|
The Vanishing | Production Design | $13.4M | 1993 |
| 61% |
|
School Ties | Production Design | $12.5M | 1992 |
| 25% |
|
Sibling Rivalry | Production Design | $16.8M | 1990 |
| 10% |
|
Rooftops | Production Design | $1.1M | 1989 |
| 75% |
|
Music Box | Production Design | $5.1M | 1989 |
| 14% |
|
Animal Behavior | Production Design | - | 1989 |
| 60% |
|
Ironweed | Production Design | $6.9M | 1987 |
| 53% |
|
Light of Day | Production Design | $9.1M | 1987 |
| 89% |
|
The Big Easy | Production Design | $15.5M | 1986 |
| 43% |
|
Maria's Lovers | Production Design | - | 1984 |
| No Score Yet |
|
Love Letters | Production Design | - | 1983 |