Tony Pierce-Roberts
Highest Rated: 100% A Room With a View (1986)
Lowest Rated: 16% Made of Honor (2008)
Birthday: Not Available
Birthplace: Birkenhead, England, UK
This cinematographer excels in richness: the lush gauzy effects of Merchant-Ivory, the sleek look of corporate New York. Pierce-Roberts was born in England but largely raised in Central Africa. He began his career with the Central African Film Unit and graduated to doing TV work for the BBC, photographing the popular "Tinker, Tailor, Soldier, Spy" (1980), "Voyage Round My Father" (1982) and "The Good Soldier" (1983), among many others, before graduating to feature work. For American TV, he was director of photography on the telefilms "The Cold Room" (HBO, 1984), "The Bourne Identity" (ABC, 1988) and "No Place Like Home" (CBS, 1989).
Filmography
Movies
Credit | |||||
---|---|---|---|---|---|
17% | 56% | Vampire Academy | Cinematographer | $7.8M | 2014 |
16% | 55% | Made of Honor | Cinematographer | $46.0M | 2008 |
23% | 46% | Home of the Brave | Cinematographer | $40.8K | 2006 |
18% | 34% | Doom | Cinematographer | $28.0M | 2005 |
48% | 66% | De-Lovely | Cinematographer | $13.3M | 2004 |
31% | 79% | Underworld | Cinematographer | $51.5M | 2003 |
57% | 72% | The Importance of Being Earnest | Cinematographer | $8.4M | 2002 |
No Score Yet | 55% | Holiday in the Sun | Policeman (Character) | - | 2001 |
54% | 39% | The Golden Bowl | Cinematographer | $3.0M | 2000 |
62% | 55% | Paulie | Cinematographer | $27.0M | 1998 |
35% | 60% | Surviving Picasso | Cinematographer | $2.0M | 1996 |
80% | 68% | The Client | Cinematographer | $90.8M | 1994 |
62% | 41% | The Dark Half | Cinematographer | $9.0M | 1993 |
96% | 90% | The Remains of the Day | Cinematographer | $23.0M | 1993 |
67% | 63% | White Fang | Cinematographer | $34.6M | 1991 |
82% | 44% | Mr. & Mrs. Bridge | Cinematographer | $5.0M | 1990 |
30% | 71% | Slaves of New York | Cinematographer | $294.4K | 1989 |
100% | 85% | A Room With a View | Cinematographer | $12.0M | 1986 |
90% | 62% | A Private Function | Cinematographer | - | 1984 |
100% | 80% | Moonlighting | Cinematographer | - | 1982 |