You might also like
See MoreWhere to watch The Chase
Rent The Chase on Amazon Prime Video, Apple TV, or buy it on Amazon Prime Video, Vudu, Apple TV.
Rate And Review

Verified
-
Super Reviewer
Rate this movie
Oof, that was Rotten.
Meh, it passed the time.
It’s good – I’d recommend it.
Awesome!
So Fresh: Absolute Must See!
What did you think of the movie? (optional)
You're almost there! Just confirm how you got your ticket.
Super Reviewer
Step 2 of 2
How did you buy your ticket?
Let's get your review verified.
-
Fandango
-
AMCTheatres.com or AMC AppNew
-
Cinemark Coming Soon
We won’t be able to verify your ticket today, but it’s great to know for the future.
-
Regal Coming Soon
We won’t be able to verify your ticket today, but it’s great to know for the future.
-
Theater box office or somewhere else
By opting to have your ticket verified for this movie, you are allowing us to check the email address associated with your Rotten Tomatoes account against an email address associated with a Fandango ticket purchase for the same movie.
You're almost there! Just confirm how you got your ticket.
Super Reviewer
Rate this movie
Oof, that was Rotten.
Meh, it passed the time.
It’s good – I’d recommend it.
Awesome!
So Fresh: Absolute Must See!
What did you think of the movie? (optional)
How did you buy your ticket?
-
Fandango
-
AMCTheatres.com or AMC AppNew
-
Cinemark Coming Soon
We won’t be able to verify your ticket today, but it’s great to know for the future.
-
Regal Coming Soon
We won’t be able to verify your ticket today, but it’s great to know for the future.
-
Theater box office or somewhere else
By opting to have your ticket verified for this movie, you are allowing us to check the email address associated with your Rotten Tomatoes account against an email address associated with a Fandango ticket purchase for the same movie.
You haven’t finished your review yet, want to submit as-is?
You can always edit your review after.
Are you sure?
Verified reviews are considered more trustworthy by fellow moviegoers.
Want to submit changes to your review before closing?
Done Already? A few more words can help others decide if it's worth watching
They won't be able to see your review if you only submit your rating.
Done Already? A few more words can help others decide if it's worth watching
They won't be able to see your review if you only submit your rating.
The image is an example of a ticket confirmation email that AMC sent you when you purchased your ticket. Your Ticket Confirmation # is located under the header in your email that reads "Your Ticket Reservation Details". Just below that it reads "Ticket Confirmation#:" followed by a 10-digit number. This 10-digit number is your confirmation number.
Your AMC Ticket Confirmation# can be found in your order confirmation email.
The Chase Photos
Movie Info
When "Bubber" Reeves (Robert Redford) escapes from prison, it upsets the folks in the nearby town of Tarl, Texas. Sheriff Calder (Marlon Brando) wants to capture Reeves alive, which puts him in opposition to many of the townspeople who have resorted to mob justice. Businessman Val Rogers (E.G. Marshall) wants Calder to apprehend Reeves quickly, through any means, since he fears the criminal will come after Val's son, Jake, who is sleeping with Reeves' wife (Jane Fonda).
-
Genre: Drama
-
Original Language: English
-
Director: Arthur Penn
-
Producer: Sam Spiegel
-
Writer: Lillian Hellman, Horton Foote
-
Release Date (Theaters): wide
-
Release Date (Streaming):
-
Runtime:
-
Distributor: Columbia Pictures
-
Production Co: Horizon Films, Lone Star, Columbia Pictures Corporation
Cast & Crew

Marlon Brando
Sheriff Calder

Jane Fonda
Anna Reeves

Robert Redford
Charlie "Bubber" Reeves

E.G. Marshall
Val Rogers

Angie Dickinson
Ruby Calder

Janice Rule
Emily Stewart

Miriam Hopkins
Mrs. Reeves

Martha Hyer
Mary Fuller

Richard Bradford
Damon Fuller

Robert Duvall
Edwin Stewart

James Fox
Jason "Jake" Rogers

Diana Hyland
Elizabeth Rogers

Henry Hull
Briggs

Jocelyn Brando
Mrs. Briggs

Katherine Walsh
Verna Dee

Lori Martin
Cutie

Marc Seaton
Paul

Paul Williams
Seymour

Clifton James
Lem Brewster

Malcolm Atterbury
Mr. Reeves

Arthur Penn
Director

Lillian Hellman
Screenwriter

Horton Foote
Writer

Sam Spiegel
Producer

John Barry
Original Music

Joseph LaShelle
Cinematographer

Robert Surtees
Cinematographer

Gene Milford
Film Editing

Richard Day
Production Design

Robert Luthardt
Art Director

Frank Tuttle
Set Decoration

Donfeld
Costume Design
Critic Reviews for The Chase
Audience Reviews for The Chase
-
Mar 15, 2017
An under-appreciated work that takes a hard look at society (and is not happy with what it sees) as we visit a small Southern town as it reacts to the news of a recent prison break by one of its scions. There are only a few decent people to be found and their decency is in constant jeopardy from the rest of the residents, awash in their own filth and only desiring to share only that. Must see (if it is only to see Brando gloriously working the Method).
kevin w Super Reviewer -
Sep 28, 2014
So, is this the British game show, or the "Doctor Who" serial, or, well, something not British at all? You'd think I could think of a decent song titled "The Chase" to quote, but no, not really, even though this title is a terribly generic. Well, it's at least generic by now, but back in 1966, there was only one other film titled "The Chase", also with a director named Arthur, interestingly enough. The familiarity doesn't end there, because before Arthur Penn caught up with Bonnie and Clyde, he had to hunt down, at the very least, the Sundance Kid. This film is even older than "Butch Cassidy and the Sundance Kid", coming out way back when Marlon Brando's star power was a little iffy, before Brando remembered that the bad boy image is most marketable. This time, Brando is a sheriff seeking out an individual of "the fugitive kind", although he might be trying to take Robert Redford out because, again, his star power was rocky enough by 1966, without people realizing that there was an even more good-looking, talented actor who was coming up fast. He may as well have gotten the job done then, before he got too fat to do any sort of chasing, which isn't to say that this film, as it stands, doesn't find its momentum slow down, thanks to a number of factors. I've certainly done my share of joking about how generic this film's title is, and as for the film itself, while it is by no means terribly generic, for every effort to break boundaries with a film like this, storytelling succumbs to conventions as a rather predictable fugitive thriller that has a few dramatic twists. Among the conventions is melodramatics, or at least character actions and situations which don't entirely convince, clashing with the realist aspects and stressing the characters and their angles in the narrative as types. The degree of artificiality in this drama varies (The story of the banker Val Rogers character who deals with marial and family conflicts is particularly manufactured), but I don't know if the film ever gets so overblown that it couldn't have been sold if there wasn't more nuance to the exposition, which is rather lacking, with immediate background development being fairly vacant, while gradual character development, with its shortage in layers and believability, falls just about flat. The film simply doesn't have that much time to flesh out its characters, because there are so very, very, very many of them in this ensemble piece which focuses too intensely on inconsequential roles, and crowbars in more than a few major roles and plotlines, resulting in a focal incoherency so extreme that it's often unbelievable. Biting off way more than it can chew, and ultimately doing little with most of its branches, this film finds its momentum crippled by a startlingly disjointed narrative as much as anything, and even that is an offshoot of excessiveness within overdrawn storytelling that is dragged out by the disorganized bloating, in addition to a whole lot of nothing, backed by a somewhat limp pace which drives the film from blandness into dullness. A sense of importance gets this film off to a good start, and once you get used to a problematic formula of conventions, histrionics, expository shortcomings, and maddening inconsistency, momentum is quickly lost, continuing to fall until the final product finds itself secured as underwhelming. This could have been a pretty rewarding drama and thriller, and yet, while it all but falls flat in that respect, it endears those with plenty of patience, and with a fondness of distinct Texas environments. There's something of a broad scope in this minimalist, if excessive sort of character-driven drama, and it is largely utilized in celebration of various Texas landscapes of the 1960s that include country green lands, and society which ranges from the humble middle-class to the lavish upper-class. The film is a love letter to '60s Texas that is so lovely and so inviting that the visuals of the final product end up being pretty important in holding your attention, further maintained by a plot concept that is exhaustingly overblown with convoluted, melodramatic and disjointed branches which aren't even especially unique, yet are consistently intriguing, to one extent or another. Focusing on a falsely accused fugitive on the run, a sheriff trying to maintain peace and justice in an ignorant town, great flaws in the upper-class, various romantic conflicts, and so, so much more, this story is so overblown it's almost comical, but it does have potential, and although Lillian Hellman's script fails to live up to dramatic potential, by falling into tropes, meanderings and shortcomings in characterization, there is plenty of decent dialogue and few memorable set pieces to further hold up some intrigue. What the writing lacks in convincing humanity and extensive characterization the cast compensates for, with most performers managing to sell plenty, through charisma and just the right hint of nuance to bring some depth to the human aspects of this ensemble piece. Even though there's way too much material for the storytellers to work with, there's not much material for the performers to work with, yet the cast, highlighted by E.G. Marshall, Miriam Hopkins, Marlon Brando, the underused Robert Redford, etc., brings a dramatic depth that is lacking in a clever, but both overblown and undercooked script, and a little less lacking in Arthur Penn's direction. Actually, it may be the ambition, for thoughtfulness which often devolves into blandness, and for dramatic sting which often cloys, in Penn's endeavors that do a number on the momentum of this film, but when Penn finds inspiration, particular engagement value is found in the storytelling, whose utilization of John Barry's striking score and of edgy visuals and happenings hits hard, when realized. Too much of this film is anything but realized, because whether it's overdone or underdone, it ultimately falls a little flat, although there are enough remnants of a stronger film to make the final product fair, if flimsy. When the heat is off, the final product fizzles out a bit, being too conventional, histrionic and underdeveloped to maintain your investment through all of the overwhelming inconsistencies, deriving from an excessive narrative that is unraveled with too much steadiness and dryness to entertain, let alone transcend an underwhelmingness that is counteracted enough by engrossing locations, intriguing subject matter, some clever writing, some solid performances, and some directorial inspiration to secure Arthur Penn's "The Chase" as a layered drama which is falls so very short of its potential, but is still adequate. 2.5/5 - Fair
cameron j Super Reviewer -
Sep 05, 2010
This is probably my favourite movie that takes place in a small Texan town. This movie has an all-star cast, and a good story. I highly recommend it, it's intense and exciting.
-
Jul 31, 2010
I really like this movie, an early neo-western and Marlon Brando being a cool sheriff. I think it tends to throw off people due to the ensemble factor, there's no real main character to latch on to. I actually like that, it's different. Jane Fonda and Angie Dickinson make for some great supporting characters. While this isn't flawless, it has a great heart and a good message about gossip and the power of townspeople.
Verified