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An Angel at My Table

Play trailer Poster for An Angel at My Table R 1990 2h 38m Biography Play Trailer Watchlist
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96% Tomatometer 23 Reviews 90% Popcornmeter 2,500+ Ratings
Based on the autobiographical work of New Zealand writer Janet Frame, this production depicts the author at various stage of her life. Afflicted with mental and emotional issues, Frame grows up in an impoverished family and experiences numerous tragedies while still in her youth, including the deaths of two of her siblings. Portrayed as an adult by Kerry Fox, Frame finds acclaim for her writing while still in a mental institution, and her success helps her move on with her life.

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An Angel at My Table

Critics Reviews

View All (23) Critics Reviews
Alyx Vesey Bitch Media Angel's clear-headedness and unadorned filmmaking makes it all the more powerful. Jan 11, 2021 Full Review Owen Gleiberman Entertainment Weekly Rated: B- Sep 7, 2011 Full Review Eric Henderson Slant Magazine Campion's knack for solitary yet paradoxically epic scope nibbles off Laura Jones's bite-sized scene-sketches of loneliness and makes entire meals of them. Rated: 2.5/4 Sep 23, 2005 Full Review Justine Smith Vague Visages Campion's filmmaking represents, in equal measure, the struggle of being an artist and the precarious artificiality of the art world. Jun 6, 2024 Full Review Farah Cheded A Good Movie To Watch The film empathetically grants [Janet Frame] real moments of joy and choice throughout — making for a deeply sensitive and uplifting watch. Aug 18, 2023 Full Review Rene Jordan El Nuevo Herald (Miami) Beleive me, sitting down to watch all 158 minutes is not a sacrifice, rather a revelation. [Full review in Spanish] Dec 29, 2022 Full Review Read all reviews

Audience Reviews

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Reuben M AN ANGEL AT MY TABLE is a lovingly crafted and beautifully acted story, based on the biography of Janet Frame, New Zealand’s most beloved author and poet. It juxtaposes views of grand vistas with highly specific and intimate glimpses of a family and specifically, Frame herself. Her story is the stuff film biographies are often made of. She comes from very poor circumstances and of course, in her large family there are occasional tragedies. She faces obstacles both personal and societal, some of them quite compelling (her stint in a mental hospital is the most alarming). Certainly that she was able to emerge from this squalor and hardship is a testament to her spirit and to her will to write. And yet. And yet, I didn’t love the film. The easiest knock on it is that it is quite long, coming in north of 2.5 hours. But as I reflected on it afterwards, the length would have been okay if there had been more narrative drive or more pace. Frame is a deeply, painfully shy girl, teen and young lady. The movie dwells on this too much. We get it, she’s pathologically shy. But again and again and again we are given scenes where her role is to essentially be a wallflower, watching those around her, wishing she could join in or perhaps hoping she’ll just continue to be ignored so she doesn’t have to muster up social graces. Frame is a character worthy of getting to know, but it’s as though director Jane Campion didn’t trust that showing her main character as deeply shy only 10 or 20 times was enough. Not when she could do it 30 or 40 times. To my mind, the movie is also hampered by a sketchy sense of time. We meet Frame first as a little girl, then a teen then an adult…each time played by different performers (and always very well), so we know time has passed. But otherwise, there are very few clues as to WHEN we are. WWII starts and ends during the course of the movie, so that helps root us a bit. Towards the end, Frame is listening to The Twist on her radio. That gives some idea. But I cannot tell you how much time she spent in the mental hospital…not even a guess. (Yes, much later in the movie, she tells someone when they ask.) She goes to Europe on a literary scholarship. Does she spend 2 months or 2 years there (or more or less?). No idea. I think they may have aged actor Kerry Fox, who plays Frame very convincingly, but it’s hard to say, and if so, I’d be hard pressed to say how many years she was aged. It is as though the film is showing us vignettes, in chronological order, but each vignette exists on its own, with no idea of how closely it follows upon the prior vignette. Finally, and I really hate to say this, but I feel that this movie was made for people familiar with Frame and in particular also devoted to her work. I’ll admit that I had never heard of her before, but I’m not from New Zealand. The camera dotes on her as though she is a near saintly figure, enduring trials, but knowing that in the end, her “martyrdom” will be rewarded by literary success. I am happy she was vindicated after her hardships, but I wasn’t moved by Janet Frame or her story. At the end, I didn’t want to run out and read any of her work. Simply, the movie didn’t grip me. I’ve had that trouble with Campion movies before. I know everyone loves THE PIANO, but it didn’t do that much for me. THE POWER OF THE DOG has a great plot twist or two, but it also frequently plods along. Campion likes to take her time, but sometimes, I think, she forgets she is supposed to engage and entertain her audience. I viewed the Criterion Collection version, and was somewhat disappointed that the extras were pretty skimpy. Despite it all, I was interested in hearing from and seeing Frame herself (on film, she is a very striking looking person, with a huge mass of curly, untamable red hair), but all we have are a radio interview. It’s mildly interesting (and apparently one of the very few she gave), but I was disappointed. There is a making of featurette that I was actually interested to see, but it was only 10 minutes long. The accompanying booklet has a nice essay and also excerpts from Frame’s autobiography (the three volumes of which are the basis of the script). I did not read them; that should indicate how I had become a bit weary of spending time with this person. Yes, I know, I’m a terrible, terrible person to say this. But the movie wasn’t interested in making new fans of Frames work; it was made for New Zealanders who grew up admiring her as a national treasure. There’s a bit of a disconnect there. I still give the movie a modest recommendation. Kerry Fox (and Alexia Keogh and Karen Fergusson as the younger Janets) are uniformly excellent. There are some moving sequences throughout. So don’t let me completely scare you off. Rated 3 out of 5 stars 06/16/24 Full Review Dave S Truthfully, you're unlikely to find a biopic more interesting than Jane Campion's An Angel at My Table, the story of New Zealand poet and novelist Janet Frame. Using three different actresses in the lead role, the film follows the troubled but wildly talented writer from her early years as a schoolgirl to her years spent in a psychiatric hospital to her ultimate success as a writer. Despite clocking in at over 150 minutes, the film never grows stale, thanks in part to Campion's ability to keep the character interesting and fresh (not all that hard, considering the character) and in part to the performances of the three lead actors. It is tragic, inspiring, and insightful, all in equal parts, and could be Campion's finest movie. Rated 4.5 out of 5 stars 03/06/23 Full Review Audience Member It gave me catharsis. Best work of art that I have ever seen. Rated 5 out of 5 stars 02/17/23 Full Review Audience Member A biographical account of the life of Janet Frame (Kerry Fox/Alexia Keogh/Karen Fergusson), a sweet-natured but painfully shy and insecure red-headed woman who battles schizophrenia, but goes on to become an acclaimed novelist. Was the first New Zealand film to screen in competition at the Venice Film Festival. Many international festival awards. Filmed in Auckland, Helensville, Kariotahi and Cook Strait among various NZ locations. Definitely recommended. - nzvideos.org Rated 4 out of 5 stars 02/19/23 Full Review Audience Member Adapted from three autobiographical books by New Zealand author Janet Frame, Campion's three part film, originally made for television, tells the story of Frame's childhood in rural New Zealand, and her eventual 8 year incarceration in a mental hospital after she is misdiagnosed as a schizophrenic. Painfully shy and slightly depressed, doctors decide to treat her with shock treatments, over 200 of them, and are planning a lobotomy, until she wins a national literary prize for her first book of short stories. She is freed, and gains a literary grant to travel to Europe where she eventually gains some peace and success. I'm not normally much of a fan of Campion's work, but I love this film. It tells the story in a fairly straightforward manner, never resorting to soap opera melodrama. Rated 4.5 out of 5 stars 02/01/23 Full Review Audience Member Great Bio-epic, very well made. The direction and pacing is great and the performance by the main character is amazing. While it is a bit slow for my taste but still the authors journey and the experience she goes through made the movie worthwhile. Loved the way how they show her growing up and the likeness among the young, teenage and the adult Janet Frame is done up beautifully. Another thing i loved about the movie was the excellent music score. Rated 4 out of 5 stars 01/13/23 Full Review Read all reviews
An Angel at My Table

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Movie Info

Synopsis Based on the autobiographical work of New Zealand writer Janet Frame, this production depicts the author at various stage of her life. Afflicted with mental and emotional issues, Frame grows up in an impoverished family and experiences numerous tragedies while still in her youth, including the deaths of two of her siblings. Portrayed as an adult by Kerry Fox, Frame finds acclaim for her writing while still in a mental institution, and her success helps her move on with her life.
Director
Jane Campion
Producer
Bridget Ikin
Rating
R
Genre
Biography
Original Language
English
Release Date (Streaming)
Mar 11, 2017
Box Office (Gross USA)
$1.0M
Runtime
2h 38m
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