Crash

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Joshua M Feb 8, 2023 Deep allegory about toxic and broken relationships! See more Alejandro V @Pelicula Jul 29, 2026 I’ve seen it twice it impressed me more the first time but in both cases is quite a piece of work. I like the actors. It’s quite graphic. It serves the plot however. Not for every taste but a good piece of work if you like movies and particular directors. See more Scott R @ScottR Jul 4, 2026 SNS22 list. Sadly this did not have much to it beyond its original premise and it devolved into stupidity. Saw on box. See more Chris S @Janomi Jun 19, 2026 Crash remains one of David Cronenberg's boldest and most controversial films. Few directors would attempt a story this provocative, and even fewer would commit to it as completely as Cronenberg does. Whether viewers admire or reject the film, there is no denying the confidence behind its exploration of technology, desire, obsession, and alienation. James Spader anchors the film effectively, while Holly Hunter, Deborah Kara Unger, and Elias Koteas fully embrace the material's unusual demands. The cold cinematography, detached performances, and haunting score create an atmosphere unlike almost anything else in cinema. The film's central subject matter is intentionally uncomfortable and will be a major barrier for many audiences. Emotional connection often takes a back seat to ideas and themes. Even so, Crash is a fascinating piece of filmmaking whose imagery and concepts linger long after the credits roll. See more Dave C @RT88014293 Sep 6, 2025 Can't Believe I Watched this Movie Was Involved In a Car Crash 22 June 1992 Nearly Died! Lost My Left Ear Noise was Broken, Left Cheek Caved In Fixed With Four Inch Pin Plus a Fractured Collar Bone I'm Six Foot One I Was in the Back Seat Of a Old Mini Car with No Seat Belt. Thank God I Don't Remember it Drive Save Stay Save Always Wear a Seat Belt. 👍😀🌈🧠🤯 See more Dave S @RT68722908 Aug 26, 2025 At the very least, you have to give David Cronenberg credit for even trying to make an adaptation of J.G. Ballard’s seemingly unadaptable novel Crash. Presumably, Cronenberg is trying to touch on some sort of theme regarding technology and its impact or influence on human behaviour and, if that’s the case, he is at least faithful to Ballard’s dark vision. If the film falters, it is probably due to the repetitiveness of it all – bad driving followed by kinky sex followed by conversation in hushed tones. It’s certainly stylishly shot, well executed (the continuity is actually pretty decent considering how difficult it must have been to shoot this), with strong performances from a stellar cast (who was James Spader’s agent and why did he get all of these weird roles back then?), but when it’s over I just felt like “meh” followed by a shrug. See more Read all reviews

Crash

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