Francis, God's Fool

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S R @ScottR Sep 13, 2023 Vatican 100 years list. It was an interesting movie that still is good, but it doesn't really make sense in the whole narrative. It's more a bunch of stories that mostly focus on the odd duck of the group for humor. It was on HBO. See more Bob E @RT15422344 Dec 18, 2017 Shockingly beautiful, will draw you into the innocence and humility of the friars. One of film's greatest hagiographies. See more Nov 14, 2015 In cinema history there are two films that lend a simple beauty and grace to spiritually complex subject matter. They are Mel Gibson's "The Passion of the Christ" and Roberto Rossellini's "The Flowers of St. Francis". This is a film that dares to approach the subject of enlightenment and application of faith with minimalism and purity. The film isn't romantic or colamitous in any way, which isn't all that abnormal in a film except this film isn't aiming for that. It isn't some kind of pretentious goal of the filmmaker, but rather a side effect of honest storytelling, and that's what "The Flowers of St. Francis" is on a fundamental level: honest. Whether you're a believer or a heathen, if you walk away from this movie without feeling some semblance of joy and hope than you're either daft or dead. This is a masterpiece about harmony and love for one's fellow man while serving and admonishing God. See more Jun 10, 2014 Rossellini's religious proclamation of saintliness faced difficulties in its distribution abroad and a butchered U.S. version, which cut two reels out of the movie based on the U.S. religious standards, a shocking proof of their simple-mindedness. Nevertheless, unlike a good number of U.S. films treating religion as the central topic, the unbiased testaments of Europe, especially Italy and France, felt more authentic, realistic, heartfelt... More human. The hardships in spreading God's word, hunger, rejection, faith during tumultuous times, our <b>failure</b> on certain tasks... That's what defines a human, and not complete saintliness or perfection which can only be achieved during eternal life when we are finally by God's side, and not during our earthly circumstances. Rossellini, following an episodic structure perhaps trying to mirror the lessons tought by Jesus Christ in the Gospels, treats the characters as disciples and divides the whole story, although chronologically, as individually told parables, each one containing a lesson, which could be interpreted, as follows: I. Rejection in His name. II. Clothes for the naked. III. Following the example of our greater brothers in faith. IV. Personal encounters with our brothers/sisters in faith. V. Feed the hungry, and God's generosity shall multiply in your life. VI. Feeling the pain of those in disgrace and our impotency to free them from their pain. VII. For it is better to preach with examples than with words. VIII. Nobility's conquer over ferocity. IX. Conquering oneself and enduring pain in His name is perfect happiness. X. <i>He said to them, "Go into all the world and preach the gospel to all creation." - Mark 16:15</i> This review is as unbiased as the film attempts to be depicting the lives of these striving souls, who think they are following the correct path, but they are not, given that they execute their deeds expecting something in return, and hold the idea that God will reward them based on deeds, when the Bible says otherwise. As a Christian and son of God, this kind of life is incorrect, and the philosophy of life of this people is a deviation from what God intended for the life of men, but it is virtually impossible to resist the almost neorealist poetry that films like <i>Francesco, Giullare di Dio</i> or <i>Journal d'un Curé de Campagne</i> (1951) hold, being the celluloid contributions with a gigantic heart that they are, which have the power of reflecting the condition of any viewer regardless of his/her beliefs. Francesco, the jester of God, the mini-Christ of his own flock of disciples... 86/100 See more Jan 23, 2014 Utterly fascinating and unique film about the life of Saint Francis and his disciples. It is told in episodic short vignettes that how Francis and his disciples relate to each other, to the world and to God. His disciples sometimes behaved like children who are too eager to please never knowing when to say no to anyone in need. Saint Francis is also seen crying as he contemplates the passion of the Christ and his purpose on earth. He seems to have all the answers but never misses an opportunity to humble himself, and his role and that of his followers were played by non-actors, by real life monks from the nearby monastery, because director Rossellini was wise enough to realize only they could show such innocence, humility and passion. See more Jun 25, 2013 It's like a filmed version of Italo Calvino's "Italian Folktales". See more Read all reviews

Francis, God's Fool

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