stephen c
Flawed but has merit
Kissing Candice is the debut feature from Northern Irish writer/director Aoife McArdle, whose career thus far has been primarily in music videos and commercials (she's probably best known for the controversial American Psycho-inspired video for Bryan Ferry's 2014 "Loop De Li", and the short film for U2's 2015 "Every Breaking Wave"). When a music video director moves onto features, problems can arise, and Kissing Candice features many of them; the whole thing plays like a two-hour Lorde video, all deep primary colours (especially red) with no discernible diegetic source; self-congratulatory and often belaboured visual symbolism; oblique narrative justification for many of the scenes; an achronological structure with unannounced flashbacks, and portentous staring into the middle-distance as the actors emote at one another instead of talking. The film is especially weak in terms of narrative - the entire plot takes up no more than a half hour at most, with the rest all mood and tone.
However, for all that, I rather liked it. The plot, such as it is, is actually built on an interesting enough hook. Set on an unnamed council estate in Dundalk some time after the cessation of the Troubles, Candice (Ann Skelly) is a contemplative, but rebellious youngster (the love child of Terrence Malick and Larry Clark, if you will). As the film begins, she is in the midst of an intense dream involving a young man she doesn't recognise. Several days later, she is stunned when she meets kind-hearted local gang member Jacob (Ryan Lincoln), who looks exactly like the man in her dreams. Jacob has been butting heads with increasing frequency with the gang's leader, Dermot (an excellent Conall Keating), who may or may not have been involved with the disappearance of a young boy from the estate, Caleb (Jason Cullen), who has also been featuring in Candice's recent dreams.
Anyone familiar with McArdle's work will instantly see the thematic uniformity - like many of her music videos, Kissing Candice depicts troubled youth, cut free from adult supervision and influence, going to extremes. And whilst McArdle proves fairly inept at handling the narrative, the film is aesthetically very well mounted, as we're literally placed within Candice's not-entirely-stable psyche from the off (the hallucinatory opening sequence is especially good in this respect). As the plot outline may suggest, there's a definite vibe of Ryan Gosling's critically reviled (but actually rather good) directorial debut Lost River (2014), and McArdle is obviously influenced by Nicholas Winding Refn and, to a lesser extent, David Lynch.
McArdle is clearly talented. However, it might help her career if she directs someone else's script next time, as her writing is what really lets her down here. Nevertheless, it's well acted, looks amazing, and, as debuts go, is not too bad at all.
Rated 3.5/5 Stars •
Rated 3.5 out of 5 stars
03/30/23
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Audience Member
Dark, sensual and confronting in it's depiction of violence and sexual attraction, Kissing Candice is surreal and stylish with focus given to obscure interpretation over a traditional narrative, leaving to a few dead ends in the plot, but offers a much more unique cinematic experience in it's place.
Rated 4/5 Stars •
Rated 4 out of 5 stars
02/13/23
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