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      Hiding and Seeking

      Released Feb 6, 2004 1h 37m Documentary List
      90% Tomatometer 21 Reviews 83% Audience Score 250+ Ratings A Jewish father takes his adult Orthodox sons to Poland to broaden their narrow views concerning those who do not practice Judaism. Read More Read Less

      Critics Reviews

      View All (21) Critics Reviews
      Kevin Crust Los Angeles Times Explores the greater effects of the Holocaust on faith, not only in God but in other people, while revealing a single family's tale of survival. Rated: 3.5/5 Jun 3, 2004 Full Review Ella Taylor L.A. Weekly The singular beauty of Hiding and Seeking is its delicate but relentless probing of ambiguous motivation on the one hand, and its hearteningly conciliatory spirit on the other. Jun 2, 2004 Full Review Janice Page Boston Globe What makes the film both watchable and important is the candid, untidy way it presents conflicting emotions and multiple points of view. Rated: 3/4 Apr 2, 2004 Full Review Doris Toumarkine Film Journal International With the feel, look and indulgences of a sincere, even well-made home movie, it's an awkward fit for theatres. Mar 1, 2007 Full Review Jordan Hiller Bangitout.com When the Daum's return from Israel, in one of the most impactful scenes, the boys sit with their maternal grandfather, an old wrinkled Jew with a short white beard, and ask him why he never tried to contact the Polish farmer who selflessly saved his life. Rated: 4/4 Aug 17, 2006 Full Review Ross Anthony Hollywood Report Card "All religions today are in danger of being hijacked by extremists." This quote and theme makes H&S one of those poignant films with respect to current world events. Rated: 3/4 May 12, 2004 Full Review Read all reviews

      Audience Reviews

      View All (20) audience reviews
      Audience Member Amazing film about how it feels to have one's prejudices challenged. Rated 5 out of 5 stars 01/12/23 Full Review Audience Member well made documentary Rated 4.5 out of 5 stars 01/28/23 Full Review Audience Member But the World Entire Must Be Saved Again It probably says a lot about the United States that Menachem Daum's parents, Holocaust survivors both, gave him a name of great significance, and when his aunt registered him for school, she registered him as "Martin," because it was easier to pronounce. "Menachem," you see, means "comforter," or something approximating that. He was, to his parents, a symbol that life goes on. Their world and their people did not vanish up the chimneys at Auschwitz. I mean, there's some power behind that. Names hold a great deal of weight, and Americans don't seem to care as much about that. ("I'm an American," says Butch in [i]Pulp Fiction[/i], explaining that his name doesn't mean . . . anything.) And in fact Martin means "dedicated to Mars" or some such and probably isn't the kind of thing survivors want to lay on their son. But American awareness of names is so shaky that I deeply distrust my own poking around on that latter issue, because most name origins websites are of only dubious reliability. We're more interested in thinking any name means something cool than in understanding its real meaning. Anyway. Menachem Daum is the son of Holocaust survivors, as is his wife, Rifka. They have sons, Akiva and Tzvi Dovid. Rifka acquired a tape of a rabbi espousing deep and fervent hate for Gentiles, expressing a belief that Jews should build a wall around Jewry and separate from Gentiles entirely. Menachem plays it for his sons, and one says it's wrong but understandable. The other basically says it's true. Menachem's father felt much the same way, but his mother had come out of the Holocaust with a distaste for God and a dislike of separating people by belief. Menachem believes that the greatest evil in the world today is religious extremism, regardless of stripe, and does what he thinks is the only solution. Rifka's father and uncles were hidden during the Holocaust by a Polish family. Despite a promise that they would write--and compensate the family for their expenses--once the boys left Poland, they never spoke to the family again. So Menachem takes his sons to find the Gentiles who saved their grandfather. One of the sons says at the beginning that he's sure there are good Palestinians, too, and you never hear about them. He says that it's the bad Gentiles who have held all the power in the world. However, I would say instead that it's easier to remember those who have wronged us than those who just sort of get along with us, and you need to do something pretty spectacular to outweigh the bad. Don't get me wrong; the Jews have been horribly mistreated over the millennia. A lot of really bad people have held power over them as long as they've been a people. I don't dispute that at all. I just think that the average person who has had anything to do with Jews over the last six thousand years or so has let them just sort of get along. Probably this is even true of Palestinians. I think in most cases where there's bad blood today, at least, it's more about actions than ethnic and religious identity. After all, there is old Honorata Matuszezyk Mucha and her family. They risked death for the Federman boys. According to her, at least one of their neighbours knew about it, too. The Nazis came to the farm once, and the boys were very nearly discovered, but they made it through the war through the compassion of the Muchas. They have been added to the list of the Righteous. And indeed, the fact that such a list exists pretty well shows that not all Gentiles have harmed the Jews over even the last century. People are likely, I think, to take advantage of any situation which benefits them in some way unless they are very good people, but that still proves that there are very good people in the world. Akiva and Tzvi Dovid must come to terms with the fact that some of them, at least, are Gentiles. Probably this means some of 'em are Palestinians. In the end, the younger men are left only with things to ponder. I doubt their minds were changed, and they probably haven't been all these years later. Not entirely, anyway. It takes a lot to change minds which are set in place about How People Are. Menachem says that he hopes he's planted a seed, though, and he at least proved that Jews are capable of failing their words, too. Chaim Federman never wrote the Muchas. He never compensated them. This, we are told, is because he was at first poor and then was in obligation beyond what he could face. He was ashamed. Which is understandable. What's important here is that he overcame it. The Federman family have now set up an educational fund for Honorata Matuszezyk Mucha's grandchildren. They went through the effort to get her, her husband, and her father placed on the list of the Righteous. Maybe Menachem's sons will now think of them as exceptions to the general rule that Gentiles are to be at best ignored. But maybe having that exception will make them consider that perhaps it isn't a rule at all. Rated 3.5 out of 5 stars 02/12/23 Full Review Audience Member A wonderful documentary of a family that goes to Poland to meet the family of the people that saved three brothers during WWII. Touching to see the mother and sons as they meet the people without whom they and their families would not exist. I truly felt thankful that they documented and shared their experience. Rated 4.5 out of 5 stars 01/19/23 Full Review Audience Member It was the title of this documentary that caught my attention - "Hiding and Seeking:Faith and Tolerance After the Holocaust", which made me wonder what the deeper meanings of the words "hiding" and "seeking" were. Menachem Daum (who made this documentary) is a child of Polish Holocaust survivors, and a devout Orthodox Jew residing in Brooklyn, N.Y. His two sons have moved to Israel where they are full-time Yeshiva students. When Daum's wife Rifka comes home one night after attending a lecture where the rabbi preaches hatred of the Goyims (or Gentiles) because of the thousands of years of suffering endured by the Jews at Gentile hands, Daum decides to get a tape of the lecture and goes to Israel. He plays the tape and asks his two sons what they think of the lecture - their response troubles him because although they decry the lecture as being rather extreme, they don't really completely disagree with it either. They both feel comfortable not being in touch with Gentiles as they feel their way of life, completely surrounded by the Jewish way of life, best meets their spiritual and other needs. Daum does not feel comfortable with this, as his own philosophy is quite different - as he says, "The goal of all religion is to bring us to a level where we can see the divinity that's all around us." Though Daum is glad that his children and grandchildren are being raised in his father's traditions, he is also worried that they inherit his father's beliefs, that "the only good goy (gentile) is a dead one." In his attempts to widen his children's worldview, Daum undertakes a family trip to Poland, where he undertakes to find the Gentile family that was responsible for saving his wife's father and two brothers, a trip fraught with bittersweet memories and some insightful revelations. The documentary is quite well-filmed and I liked how everything falls into place even though it moves between Brooklyn, Israel and Poland. The actual interviews with Daum's family members (his father-in-law, sons, wife, etc.) as well as interviews with the Polish people are interspersed with actual archival footage of historical events during the Holocaust. There are some truly sad moments in this documentary - as when the Daum family visit an abandoned and destroyed synagogue in the the little Polish town where Rivka's family used to live (though it's not mentioned whether it was the result of the Nazis destroying it or the communists). There are no longer any Jews living in this Polish town, but interestingly, a Polish Gentile graduate student (researching the history of the Jews in the town) helps them find the old Jewish cemetery (which has been almost obliterated), and they finally find the Polish couple who sheltered Rivka's father and his two brothers for two years (1943-1945) during the Holocaust. It was interesting to see how Daum's two sons come to appreciate that there are good Gentiles in the world, though the ending of the documentary gives one the impression that they aren't totally convinced (there's an element of ambiguity). I wished there had been more discussion about the Polish couple and their family - the penalty for sheltering Jews during the war was almost certain death, and this couple, just simple farmers in the countryside, took great risks to hide these Jews and never heard from them after the war. I wished there was more dialogue on that aspect - and a more in-depth exploration as to their motives, and how the Polish family got through the war and rebuilt their lives after the war. This would have made it more balanced in my opinion. On the whole though - this is an insightful documentary on rapprochement between people of different faiths and cultures and quite well-done. Rated 4 out of 5 stars 02/25/23 Full Review Audience Member well made documentary Rated 4.5 out of 5 stars 02/13/23 Full Review Read all reviews Post a rating

      Cast & Crew

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      Movie Info

      Synopsis A Jewish father takes his adult Orthodox sons to Poland to broaden their narrow views concerning those who do not practice Judaism.
      Director
      Oren Rudavsky
      Producer
      Oren Rudavsky, Menachem Daum
      Production Co
      Buena Vista (Walt Disney)
      Genre
      Documentary
      Original Language
      English
      Release Date (Theaters)
      Feb 6, 2004, Wide
      Release Date (Streaming)
      Feb 17, 2017
      Box Office (Gross USA)
      $51.1K
      Runtime
      1h 37m