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The Architecture of Doom

Play trailer Poster for The Architecture of Doom 1989 1h 59m Documentary Play Trailer Watchlist
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Tomatometer 4 Reviews 85% Popcornmeter 500+ Ratings
Filmmaker Peter Cohen postulates a theory that the Third Reich's obsessive pursuit of an ideal society was in part a fulfillment of its leaders' own aborted creative careers. Using archival footage underscoring National Socialism's obsession with purity and order, and contrasting it with the so-called "degenerate" work of the German avant garde, Cohen attempts to draw parallels between Hitler's own subjective aesthetic views and his systematic extermination of millions of European Jews.

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The Architecture of Doom

Critics Reviews

View All (4) Critics Reviews
Steve Davis Austin Chronicle Rated: 3/5 Jan 1, 2000 Full Review Pablo Villaça Cinema em Cena Beneficiado por um extenso e fabuloso trabalho de pesquisa, Cohen apresenta de maneira brilhante a surpreendente (e chocante) motivao esttica por trs dos esforos de guerra e de "purificao racial" dos nazistas. Rated: 5/5 Feb 21, 2009 Full Review Emanuel Levy EmanuelLevy.Com Poignantly narrated by Bruno Ganz, Cohen's chilly docu shows how Hitler channeled his artistic frustrations and political ambitions into the creation of a coherent ideological apparatus whose self-styled mission was to enhance "beauty" in the world. Rated: 4/5 Apr 20, 2006 Full Review Mark R. Leeper rec.arts.movies.reviews Rated: low +1 out of -4..+4 Jan 1, 2000 Full Review Read all reviews

Audience Reviews

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Audience Member A devastating documentary. Nazi bigwigs as failed artists trying to "beautify" the world through violence. A fascinating perspective about some truly perverse people. Rated 5 out of 5 stars 01/18/23 Full Review Audience Member Pretty good with a lots of tidbits of original footage. This film goes over quite a bit but still only brushes over so many things. Nice review and tv watchable. Rated 3 out of 5 stars 02/20/23 Full Review Audience Member A new take on how Hitler, the Nazi party, and Deutschland as a whole viewed their nation as a living body, and as such the removal of toxic, or as Hitler himself termed them, "microbes", was considered no more alarming than when people do cleanses today. It explained how the Nazi Party was more cult than political party, how "absurd ideals became diabolical deeds". Rated 3.5 out of 5 stars 01/27/23 Full Review Audience Member Required viewing for those whom seek a clear understanding of the motivations behind the darkest moment of the 20th century. Well paced and superbly narrated. Rated 4.5 out of 5 stars 02/15/23 Full Review Audience Member Having taught college prep American high school seniors for over a decade in Western Philosophy and Ethics, and doing so employing the effective example of educated, even sophisticated, WWII-era Germans in the Nazi Party as proof of what even the elite are capable of affecting in a civilized, enlightened society, I find this film to be a powerful editorial addition to any serious study of the infamous, failed regime. Parallels to Al Qaida's political and theatrical motivation in attacking the World Trade Center's Twin Towers help us frame the motivations behind the grandiose fantasy ideology of the narcissistic, megalomaniac Adolf Hitler whose aesthetic sensibilities, bloated and unrealistic as they were, rivaled his misguided zeal for imposing his narrow, ill-informed Classical Romantic nostalgia on mid-20th Century Germany. Kids hear a lot about "hatred" and "anti-Semitism" when encountering the Nazis. Tell them something they don't know. Tell them that the rise of the Third Reich and the atrocities of the Holocaust were obviously political and militaristic, but "artistic"...? Now you have their attention, thanks to Peter Cohen's unique, insightful, and circumspect work. I think Cohen nails it as far as pinpointing the broad motivations of those whose work inspired the zeal surrounding the Third Reich's master plan of world domination. From the Romantic sensibilities informing Wagner's inflated humanistic vision to Schopenhauer's Power of the Will, and ultimately to Hitler's bizarre and unprecedented rise to power and his successful employment of extreme propaganda, one must strongly consider the culmination and synthesis of the propagandistic zeitgeist in the aesthetic drive behind the Reich's successful wielding of the Aryan myth and its associated Jewish problem, articulated and sold to a proud, yet deeply bruised, threatened, and nationalistic Germany. Cohen fully captures such a nightmare by means of an elevated, shrewd, often deft aesthetic in this hauntingly beautiful, craftily subtle film... by an aesthetic that Hitler was neither intellectually nor artistically capable of conspiring to create, much less to imagine. S. Clay Smythe Rated 4.5 out of 5 stars 02/24/23 Full Review Audience Member Probably one of the better movies I've seen about Hitler. Rated 3 out of 5 stars 01/28/23 Full Review Read all reviews
The Architecture of Doom

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Movie Info

Synopsis Filmmaker Peter Cohen postulates a theory that the Third Reich's obsessive pursuit of an ideal society was in part a fulfillment of its leaders' own aborted creative careers. Using archival footage underscoring National Socialism's obsession with purity and order, and contrasting it with the so-called "degenerate" work of the German avant garde, Cohen attempts to draw parallels between Hitler's own subjective aesthetic views and his systematic extermination of millions of European Jews.
Director
Peter Cohen
Producer
Peter Cohen
Screenwriter
Peter Cohen
Production Co
Poj Filmproduktion AB, SVT Drama, Svenska Filminstitutet, Sandrews
Genre
Documentary
Original Language
Swedish
Release Date (Streaming)
Jun 4, 2014
Runtime
1h 59m
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