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The Sorrow and the Pity

Play trailer Poster for The Sorrow and the Pity PG Released Mar 25, 1972 4h 19m Documentary Play Trailer Watchlist
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100% Tomatometer 32 Reviews 96% Popcornmeter 1,000+ Ratings
From its first release at an underground theater in Paris, this account of France's occupation under Nazi regime has been acclaimed as one of the most moving and influential films ever made. Director Marcel Ophüls interviewed the residents of Clermont-Ferrand who remembered the occupation, as well as government officials, writers, farmers, artists, and German veterans. Here, in their own words, is the story of how ordinary citizens and leaders alike behaved under military siege. Originally refused by French TV, the film garnered international success and acclaim -- including an Oscar nomination for Best Documentary -- while shattering the myth of an undivided and universally resistant France under the Vichy government. A triumph of on-the-ground filmmaking, THE SORROW AND THE PITY remains gripping, appalling, and exhilarating for its transparent view upon humanity.
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Critics Consensus

The Sorrow and the Pity narrates a painful chapter in France's history through an impressively rich mosaic of testimonies and historical archives, giving a complex texture to the struggles of a people amid tragedy.

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Critics Reviews

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Derek Smith Slant Magazine Marcel Ophüls’s The Sorrow and the Pity is a veritable chorus of disparate voices and striking faces, exquisitely juxtaposed in a way that challenges the once widely accepted notion of a strong, resistant France in the face of evil. Jun 1, 2023 Full Review Richard Brody The New Yorker It’s as if all of France were implicated as the documentary’s virtual reverse angle—its challenging, defiant closeup. Jul 12, 2022 Full Review Philip Purser Daily Telegraph (UK) What I liked most about the film was that it accepted, indeed relied upon, the extraordinary particularity of the individual. There were one or two generalisations... but otherwise, typecasting was avoided. Mar 12, 2020 Full Review Mark Seneviratne Vague Visages The Sorrow and the Pity is surgical and functional, yet unquestionably a reflection of the imagination of an artist. Mar 26, 2024 Full Review David Elliott Chicago Daily News Nobody intelligently alive can find this epic film too long, or dull, or alien. Above all it is an incredible work of organization by director Marcel Ophuls. Oct 3, 2023 Full Review Anne Brodie What She Said Ophüls made The Sorrow and the Pity for French television in 1969 but broadcasters refused to air because it showed France as "exclusively populated by traitors". Searing and essential viewing to properly understand the war and Europe. Rated: 4/4 May 27, 2023 Full Review Read all reviews

Audience Reviews

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William L "I can't remember." "How can you forget?" Ophuls (who mercifully omits the umlaut in the original spelling of his name, unlike his well-known father prior to receiving French citizenship) delivers a fantastically in-depth exploration of the Nazi occupation of France in the Second World War, taking advantage of extensive archival research and employing a tremendous range in selecting the subjects of his interviews, representing multiple perspectives in a conflict that is often far more simplified than the multifaceted event that truly took place. His narrative takes into account geopolitical factors, various propaganda and social movements, and cultural divides that led to vastly different reactions to the presence of the Germans across France, when the reality on the ground did not reflect the moral consensus that was formed in later years. Though it is painfully easy to lump any individual that didn't plot sabotage campaigns from dimly lit basements under the label of 'collaborator', the reality is that such relationships were far more nuanced than most would like to admit; Ophuls grabs onto that ambiguity as a narrative device, singling out those that may have offered some sympathy to the foreign invaders out of a sense of self-preservation or courtesy, and confronting them with uncomfortable questions that force them to confront the rationalizations that they have made to wash their hands in subsequent years. There are plenty of subplots about individuals fully embracing Nazi ideology (for which they were later either roundly condemned or shunned), but it is often those moments in which interviewees that simply were living their lives in Vichy France realize that their actions, though innocent enough independently, may have contributed to a larger evil that the narrative power shines through. Also, an actual quote from the film, a testimony from an English spy that gets dropped out of nowhere: "I was a transvestite singer in Paris in 'Le Grande Ecart' for three months, and in 'La Cave Caucasienne' for a long time." Where oh where is my movie adaptation of that bombshell? (4/5) Rated 4 out of 5 stars 07/25/21 Full Review Audience Member Hard to watch, VERY long, gruelling and ...unmissable! Rated 5 out of 5 stars 02/16/23 Full Review Audience Member This two-part documentary analyzes the occupation of France in World War II through the example of a city with a population of approximately 100,000 people. The spirit of the time is quite well conveyed with the use of archive materials, as well as interviews with members of the resistance movement, collaborators with the occupying forces, and German soldiers who participated in the occupation. Everyone is given the space to express their views and explain the logic that guided them during the war. A side of French history, today mostly hidden, is presented: dark and shameful collaboration, but also the heroic resistance to the occupation - all this in the context of a true civilizational tragedy. The film has been banned in France for more than ten years (it wasn't aired on TV until 1981), supposedly because it was too one-sided, but in fact because it showed the extent of the collaboration and the burden of historical responsibility for the committed crimes - a history that was rushed to be forgotten, in order not to disturb the post-war social consensus and the re-established status quo. Rated 4 out of 5 stars 01/15/23 Full Review s r 1001 movies to see before you die. This exhaustive documentary confronts a very touchy subject and does so fairly well. The 4 hour time though! Rated 3 out of 5 stars 03/31/23 Full Review Audience Member Truly magnificent. Opfuls, like his director father, allows his subjects to speak for themselves and sometimes incriminate themselves. Not always easy to follow, and perhaps deliberately--the pity and the fog of war. Rated 5 out of 5 stars 01/30/23 Full Review Audience Member THE SORROW AND THE PITY is a staggering account of the French town of Clermont-Ferrand under Nazi occupation, and those who dealt with it- particularly the Jewish residents and those who knew them. This will probably go down as one of the greatest documentaries ever made. Rated 5 out of 5 stars 01/16/23 Full Review Read all reviews
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Movie Info

Synopsis From its first release at an underground theater in Paris, this account of France's occupation under Nazi regime has been acclaimed as one of the most moving and influential films ever made. Director Marcel Ophüls interviewed the residents of Clermont-Ferrand who remembered the occupation, as well as government officials, writers, farmers, artists, and German veterans. Here, in their own words, is the story of how ordinary citizens and leaders alike behaved under military siege. Originally refused by French TV, the film garnered international success and acclaim -- including an Oscar nomination for Best Documentary -- while shattering the myth of an undivided and universally resistant France under the Vichy government. A triumph of on-the-ground filmmaking, THE SORROW AND THE PITY remains gripping, appalling, and exhilarating for its transparent view upon humanity.
Director
Marcel Ophüls
Producer
André Harris, Alain de Sedouy
Screenwriter
André Harris, Marcel Ophüls
Distributor
Cinema 5 Distributing
Production Co
Télévision Rencontre, Télévision Suisse-Romande (TSR), Norddeutscher Rundfunk (NDR) [de]
Rating
PG
Genre
Documentary
Original Language
English
Release Date (Theaters)
Mar 25, 1972, Wide
Rerelease Date (Theaters)
Feb 24, 2023
Box Office (Gross USA)
$12.8K
Runtime
4h 19m
Sound Mix
Mono
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