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      Tougher Than Leather

      R 1988 1h 32m Musical List
      Reviews 38% 50+ Ratings Audience Score Three ripped-off rappers (Darryl "DMC" McDaniels) come down hard on the money-laundering thugs behind Strut Productions. Read More Read Less

      Audience Reviews

      View All (6) audience reviews
      Audience Member The Washington Post said that this movie was vile, vicious, despicable, stupid, sexist, racist and horrendously made." Maybe they hadn't watched the blaxploitation movies of a decade and a half before, because instead of the guys from Hollis, Queens making a Beatles style fun film, they decided to remake something like Slaughter crossed with an Italian Western and yet filled it with everyone on Def Jam and had the amazing weird brains to make Rick Rubin the racist super villain. I'm here for all of this. The film starts with Jam Master Jay and Run picking up D.M.C. from prison. He's done a nine-month bid and it feels like we spent at least a few of those days with the camera as it searches the prison halls for him. Then, Jam Master Jay relates a sexual dream that ends with him getting his penis eaten. Like I said, this isn't the fun rap movie people probably wanted. They go to visit their manager Russell Simmons, played by their manager Russell Simmons, who gets them and the Beastie Boys signed to a record label run by Vic Ferrante (Rubin, who directed and co-wrote this with Ric Menello, who directs Doro's "Bad Blood" video, as well as Danzig's "Mother," LL Cool J's "Goin' Back to Cali" and the Beastie Boys' "(You Gotta) Fight for Your Right (to Party!" and "No Sleep ‘Til Brooklyn." He was going to make the Beastie Boys into movie stars with the film Scared Stupid, which New Line was going to pay for, but the Beasties left Def Jam and went off to build a house and make Paul's Boutique so things worked out as they should have). Yet before the guys can celebrate being big stars, one of their friends Runny Ray gets killed and this sends them off on a mission of vengeance. And have sex with gangster molls. And break fingers. And go see Slick Rick. And shoot people. Lots of people. The album of the same title — Run DMC's fourth — contains some of their best known songs like "Run's House," "Mary, Mary" and "I'm Not Going Out Like That," which had the bravery to sample bands that were currently taking hip hop past what the group had started like Public Enemy and even themselves. The sessions also led to seasonal favorite "Christmas In Hollis," which samples Clarence Carter's "Back Door Santa" and used to infuriate me every time people tried to perform it at karaoke. So yeah, while the album is remembered today as a classic, it had a mixed reception back in 1988. As for the movie, well, no one talks about it today. I am. And despite some people — Nathan Rabin, for one — claiming it ruins Run DMC for them, I kind of love it. Because these guys got to make the movie they wanted to make, even if it may not have been the right movie for their fans or their fame. You know what? I live for Run DMC tearing apart some racist dudes at a bar. And by that, I mean that Jam Master Jay and Rev. Run are beating everyone up while Darryl McDaniels just drinks beer, eats peanuts and breaks the bartender's wrist. They then leave the bar with Jam Master Jay launching a full bottle of booze at a gigantic mirror. "I always wanted to do this," he says. I get it. Rated 2.5 out of 5 stars 02/06/23 Full Review Audience Member So the story is not compelling or well put together...does that make it a bad movie? Absolutely not. Just sit back and relax and this film comes together with great pacing as collage of music footage, action, and trash talking (and short dramatic scenes which sort of go together). Obviously you have to like Run DMC to enjoy this...this is kinda heavy stuff to start a hiphop newbie on. There are 80's and cheesy elements worked in all over the place, and edited like a high school video project with bits of this-and-that thrown in, instead of a highly cohesive cut more typical today. Personally I find this engaging, as the plot fails to thicken but the style keeps refreshing. I gotta take a star off for a couple moments where it went from B-movie to C-movie and was just painful to watch. But that's just 3-4 minutes, total. Rated 4 out of 5 stars 02/18/23 Full Review Audience Member while a vehicle mainly for their music a half decent movie. The acting by most of the cast is horrible and the story is elementary but the 80s soundtrack and the music holds it together. Rated 4.5 out of 5 stars 02/10/23 Full Review Audience Member I saw the full movie in youtube a couple if years back, and it was bad as everyone said it is. Rated 1 out of 5 stars 02/02/23 Full Review Audience Member Really really bad attempt at a blaxploitation revival. Notable only for Run-DMC and the Beastie Boys playing themselves (and Rick Rubin as the bad guy). Rated 2 out of 5 stars 01/20/23 Full Review Audience Member starring Run Dmc. . . nuff said Rated 3 out of 5 stars 01/20/23 Full Review Read all reviews Post a rating

      Cast & Crew

      Critics Reviews

      View All (3) Critics Reviews
      Emanuel Levy EmanuelLevy.Com Rated: 2/5 Sep 27, 2005 Full Review Linda Cook Quad City Times (Davenport, IA) Rated: 0/5 Aug 4, 2004 Full Review Oz eFilmCritic.com Rated: 1/5 Jan 6, 2003 Full Review Read all reviews

      Movie Info

      Synopsis Three ripped-off rappers (Darryl "DMC" McDaniels) come down hard on the money-laundering thugs behind Strut Productions.
      Director
      Rick Rubin
      Rating
      R
      Genre
      Musical
      Original Language
      English
      Box Office (Gross USA)
      $3.5M
      Runtime
      1h 32m