>
Luciana Arrighi
Highest Rated: 97% Sense and Sensibility (1995)
Lowest Rated: 8% The Lovers (2014)
Birthday: Not Available
Birthplace: Brazil
Born in Australia and professionally based in the United Kingdom, designer Luciana Arrighi has created beautiful and evocative film landscapes, working frequently with director Gillian Armstrong and the Merchant-Ivory filmmaking team. An art director with stage and opera credits as well as her noted work on the silver screen, Arrighi got her start with the BBC, counting the BBC TV series "Omnibus" (which first teamed her with director Ken Russell on biopics of Dante Gabriel Rossetti and Isadora Duncan, among her more memorable work efforts as a set designer. Not long after, Russell offered Arrighi her feature film debut, as set designer of the director's acclaimed 1970 feature "Women in Love." Twenty years later she reteamed with Russell as production designer for "The Rainbow" (1989), another D.H. Lawrence adaptation.
Filmography
Movies
| Credit | |||||
|---|---|---|---|---|---|
| 45% | 73% | Freud's Last Session | Production Design | $905.6K | 2023 |
| 70% | 72% | Falling for Figaro | Production Design | $35.8K | 2020 |
| 29% | 53% | Come Away | Production Design | $106.1K | 2020 |
| 80% | 70% | Interlude in Prague | Production Design | - | 2017 |
| 73% | 50% | Angelica | Production Design | - | 2015 |
| 63% | 71% | The Man Who Knew Infinity | Production Design | $3.9M | 2015 |
| 8% | 19% | The Lovers | Production Design | - | 2014 |
| No Score Yet | 31% | My Zinc Bed | Production Design | - | 2008 |
| 77% | 74% | Being Julia | Production Design | $7.7M | 2004 |
| 83% | 81% | The Gathering Storm | Production Design | - | 2002 |
| 63% | 58% | Possession | Production Design | $10.1M | 2002 |
| 57% | 72% | The Importance of Being Earnest | Production Design | $8.4M | 2002 |
| 29% | 63% | Jakob the Liar | Production Design | $5.0M | 1999 |
| 52% | 64% | Anna and the King | Production Design | - | 1999 |
| 67% | 60% | William Shakespeare's A Midsummer Night's Dream | Production Design | - | 1999 |
| 67% | 65% | Oscar and Lucinda | Production Design | $1.6M | 1997 |
| 35% | 60% | Surviving Picasso | Production Design | $2.0M | 1996 |
| 97% | 90% | Sense and Sensibility | Production Design | $42.0M | 1995 |
| 96% | 90% | The Remains of the Day | Production Design | $23.0M | 1993 |
| 67% | 56% | Close My Eyes | Production Design | - | 1991 |
| 46% | 44% | Mrs. Soffel | Production Design | - | 1984 |