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      I Travel Alone

      2013 1h 25m Drama List
      62% 34 Reviews Tomatometer 48% 500+ Ratings Audience Score A hotel critic (Margherita Buy) is forced to reexamine the choices she's made in her personal life after her usual support network collapses. Read More Read Less Watch on Fandango at Home Premiered May 16 Buy Now

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      I Travel Alone

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      I Travel Alone

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      Critics Consensus

      Modest to a fault, A Five Star Life is worth seeing chiefly for Margherita Buy's marvelous work in the central role.

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      Audience Reviews

      View All (11) audience reviews
      Audience Member (Español / Inglés) Como una espía Sumario Esta amable e interesante comedia dramática italiana acompaña a una auditora secreta de hoteles de 5 estrellas, poniendo en escena su trabajo y lo que implica afectivamente esta ocupación para su protagonista, una mujer bella y elegante, bastante segura de lo que quiere, pero no exenta de hacerse replanteos frente a determinadas situaciones. Y lo hace sin cargar las tintas ni caer en obviedades o moralejas y eludiendo la tentación de la postal turística. Reseña Irene (Margherita Buy) es una auditora secreta que recorre hoteles 5 estrellas en todo el mundo verificando si cumplen los estándares acordes a esa calificación. Por supuesto, para cumplir con esta función se registra como una viajera común sin revelar su condición, y solo la hace expresa en el momento del check-out. Viajo sola es una amable e interesante comedia dramática de Maria Sole Tognazzi sobre lo que implica para Irene este trabajo aparentemente ideal: estar permanentemente de viaje y la imposibilidad de entablar relaciones estables y de formar una familia, siendo esta imposibilidad también una elección. Los afectos más cercanos de Irene son su amigo Andrea (Stefano Accorsi), con quien mantiene una interesante relación, y su hermana Silvia (Fabrizzia Sacchi), casada y con dos hijas, quien como mujer que ha formado una familia funciona de algún modo como contraparte y espejo, pero sin caer en la obviedad. La película se detiene esporádicamente en ellos, sobre todo en el rol de la hermana. El contraste entre la vida "real" de Irene y la que lleva en esos hoteles caros está marcado solo en el punto justo, eludiendo los esquematismos. Resulta interesante acompañar a Irene en su recorrido por los lujosos hoteles y seguirla en su minucioso y sumamente profesional checkeo de sus prestaciones, en una tarea que, como ella dice, tiene visos de espionaje. Si bien hay muy bellas locaciones y la película nos hace viajar con la protagonista (y esto se disfruta mucho en estas épocas de encierro), no cae en la tentación del recorrido turístico con sus postales. Irene nunca para de registrar y, en definitiva, de trabajar. Además, los cortes y la elipsis del relato contribuyen a prevenir cualquier engolosinamiento turístico. Margherita Buy nos brinda una extraordinaria actuación por su naturalidad, que nos conquista desde el minuto uno. Hace suya la sobriedad con que la película plantea los conflictos de Irene, una mujer bella y elegante, bastante segura de lo que quiere, pero no exenta de hacerse replanteos frente a determinadas situaciones, sin recargar las tintas. Este tono no es una limitación sino el logro de una película que evita las sentencias y las moralejas. Like a spy Summary This friendly and interesting Italian dramatic comedy accompanies a secret auditor of 5-star hotels, staging what this profession implies affectively for its protagonist, a beautiful and elegant woman, quite sure of what she wants, but not exempt from being reconsidered facing certain situations. And she does it without underlining or falling into the obvious or morals and avoiding the temptation of the tourist postcard. Review Irene (Margherita Buy) is a secret auditor who tours 5-star hotels around the world verifying if she meets the standards according to that rating. Of course, to fulfill this function she registers as a common traveler without revealing her condition, and she only makes it express at the time of check-out. A Five Star Life is a kind and interesting dramatic comedy by Maria Sole Tognazzi about what this apparently ideal job implies for Irene: being permanently on the road and the impossibility of establishing stable relationships and starting a family, this impossibility being also a choice. Irene's closest affections are her friend Andrea (Stefano Accorsi), with whom she has an interesting relationship, and her sister Silvia (Fabrizzia Sacchi), married with two daughters, who as a woman who has started a family functions in some way as counterpart and mirror, but without falling into the obvious. The film sporadically dwells on them, especially in the role of the sister. The contrast between Irene's "real" life and the one she leads in those expensive hotels is marked only at the right point, avoiding schematics. It is interesting to accompany Irene on her tour of the luxurious hotels and to follow her in her meticulous and highly professional check of her benefits, in a task that, as she says, has overtones of espionage. Although there are very beautiful locations and the film makes us travel with the protagonist (and this is very much enjoyed in these times of confinement), she does not fall into the temptation of the tourist route with her postcards. Irene never stops recording and, ultimately, working. In addition, the cuts and ellipsis of the story contribute to prevent any tourist gluttony. Margherita Buy gives us an extraordinary performance because of her naturalness, which she conquers us from minute one. She endorses the sobriety with which the film raises the conflicts of Irene, a beautiful and elegant woman, quite sure of what she wants, but not exempt from rethinking herself in certain situations, without recharging the ink. This tone is not a limitation but the achievement of a film that avoids sentences and morals. Rated 3.5 out of 5 stars 01/27/23 Full Review Audience Member On a superficial level, it is easy to like a film that has such an enjoyable sense of humor and a solid performance by Margherita Buy, but soon it becomes clear that the plot is flat as a self-help book, with a simplistic ending that lacks any of the depth it thinks it has. Rated 2.5 out of 5 stars 02/14/23 Full Review john m Really boring and pretty ho-hum drama made for elderly people. Rated 2 out of 5 stars 03/31/23 Full Review Audience Member A heartfelt human interest story. Slow pace, but I enjoyed it. Rated 3 out of 5 stars 01/12/23 Full Review Audience Member One person's happiness, is not always the same as another's. This was a key lesson I learned in A Five Star Life's final moments. A lesson I take to heart. Rated 4 out of 5 stars 02/23/23 Full Review Audience Member Give me any film with Margherita Buy and Stefano Accorsi and I'll watch it! Rated 4 out of 5 stars 01/15/23 Full Review Read all reviews Post a rating

      Cast & Crew

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      Critics Reviews

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      Matthew Lickona San Diego Reader A collection of carefully rendered details does not a movie make. Rated: 1/5 Sep 10, 2014 Full Review Ben Sachs Chicago Reader Flatly told and highly familiar. Sep 4, 2014 Full Review Louis Black Austin Chronicle So slow-moving, the narrative takes forever to gain momentum, and when it finally does, it deliberately undercuts it. Rated: 2/5 Aug 28, 2014 Full Review Michael J. Casey Michael J. Cinema Made with the cooperation of The Leading Hotels of the World, which reduces this movie to an elaborate and elongated advertisement for luxury hotels. Rated: 2.5/5 Nov 7, 2021 Full Review Nicholas Bell IONCINEMA.com This rather reserved exercise feels far too buttoned up to make any lasting impression, genuine as everyone involved seems to be. Rated: 2/5 Aug 30, 2019 Full Review Eleanor Ringel Cater Saporta Report (Atlanta) But there's originality here, plus several fine performances (especially Buy). And the places she visits are to die for. An armchair traveler could do a lot worse. Jun 30, 2017 Full Review Read all reviews

      Movie Info

      Synopsis A hotel critic (Margherita Buy) is forced to reexamine the choices she's made in her personal life after her usual support network collapses.
      Director
      Maria Sole Tognazzi
      Screenwriter
      Ivan Cotroneo, Francesca Marciano, Maria Sole Tognazzi
      Production Co
      RAI Cinema
      Genre
      Drama
      Original Language
      Italian
      Release Date (Streaming)
      May 4, 2015
      Box Office (Gross USA)
      $306.4K
      Runtime
      1h 25m
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