Robert Edward M
Ugh, the film takes an hour to drive across the street. Unnecessary scenes and random nonsense clutters what should've been an Outer Limits episode. For die-hard Lovecraft fans only.
Rated 2/5 Stars •
Rated 2 out of 5 stars
09/24/23
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Audience Member
Somewhat interesting, yet very slow and filled with bland parts. The characters are kind of dull, and the overall plot gets a bit stale. Confusing moments and annoying scenes. It was almost decent, but failed to deliver.
Rated 2.5/5 Stars •
Rated 2.5 out of 5 stars
02/02/23
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Audience Member
Good where it counts. Atmospheric and creepy, compensating for several other low-budget shortcomings. A solid addition to the Lovecraft vault.
Rated 3.5/5 Stars •
Rated 3.5 out of 5 stars
02/06/23
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Audience Member
Il faut encourager toutes les tentatives de porter les recits de H.P. Lovecraft à l'ecran, d'autant plus qu'il est difficile de reproduire efficacement le sentiment de malaise et d'angoisse que procure à la lecture cette oeuvre essentiellement descriptive. Cette adaptation italienne de "La couleur tombee du ciel" est d'autant plus meritante que son budget etait de toute evidence effroyablement limite. Pourtant, le realisateur Ivan Zuccon n'hesite pas à transposer le recit de la Nouvelle-Angleterre du debut du siècle à l'Italie de 1943 et la tentation est grande d'y deceler un choix conscient visant à depeindre - assez subtilement - la societe italienne fasciste en voie de desagregation morale. Malgre le manque de moyens, "La couleur tombee du ciel" parvient à elaborer une atmosphère convaincante, certes un peu surannee mais qui utilise au mieux les environnements limites dont elle dispose. Revers de la medaille, le film est très lent voire même contemplatif, et refuse de fournir la moindre explication au phenomène - il suit en cela la logique de Lovecraft! - sans disposer des moyens financiers et artistiques de retranscrire correctement "l'indicible"...!
Rated 2/5 Stars •
Rated 2 out of 5 stars
02/05/23
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Audience Member
HP Lovecraft fans, rejoice! "Colour from the Dark" is a solid and intelligent take on Lovecraft's short story, "The Color Out of Space." While purists may not like the film for its taking liberties with setting and the addition of scenes that bridge the gap between short story and feature-length film, those willing to give director Ivan Zuccon a little artistic leeway will find this to be among the best adaptations of Lovecraft's work for the screen.
Set in Italy during World War II, the film begins when a farmer breaks through the bottom of a well. This releases a never-defined intelligent force that permeates both land and family, first filling them with vitality and then accelerating their decay. In scenes taken straight from the original tale, crops ripen overnight. The farmer reaps a harvest of giant tomatoes and squash that look just a little strange at first. At the same time, the farmer's injured knee is instantly healed, his mute and mentally challenged daughter gains the ability to speak, and his wife (played admirably by veteran scream queen Debbie Rochon) is overwhelmed with sexual desire. It's only a matter of days, though, before the horror starts. Those vegetables were poisonous and start rotting away, gathering swarms of flies and maggots. The daughter sets to stabbing her doll. Wife Lucia gets the worst of it fastest, though, as both her body and mind warp in terrible ways, surrounded by a strange glow and sounds that could only be loosely termed a voice.
The addition of a local priest called in to perform an exorcism yields an extra payoff not found in Lovecraft's tale. What happens when the water isn't so holy during an exorcism? In one of the films most memorable scenes, the possessed Lucia turns the table of the hapless village cleric, sprinkling him with the tainted water while admonishing him about which gods are real and which ones aren't. I haven't seen a scene like this in a horror film before, and Zuccon is to be commended for putting it into his movie. Rochon's Lucia is perfect for the scene, and is played throughout with spasmodic menace. Michael Segal is likewise very good as the bemused farmer who first resists and then succumbs to the poisonous entity in the water supply.
There are a few rough spots in "Colour from the Dark." Many of them come from Gerry Shanahan; his thick Irish accent is offputting in his role as the farmer's father and at times he seems to be reading lines rather than performing. There's a subplot involving a Jewish refugee hidden at Shanahan's house and executed by Nazis that never seems to go anywhere, although farmer's daughter Alice (Marysia Kay) spends some time talking to the bloating corpse. All of that could have been left on the cutting room floor without taking anything away from the rest of the film.
Despite those shortcomings, the story, acting, and production values of "Colour from the Dark" make it worthwhile for supernatural horror fans, whether or not they've read Lovecraft's story -- which you should do, by the way. It's one of his best; there's a reason that there have been at least three films based on it now, starting with "Die Monster Die" (starring Boris Karloff) and then "The Curse" (Claude Akins). "Colour from the Dark" is the best of the bunch, though. It balances mood and shock and does scary justice to HPL's vision while not becoming enslaved to the details, as do so many films based on Lovecraft's literature. And next time someone tells you not to drink the water, YOU WON'T!
Rated 4/5 Stars •
Rated 4 out of 5 stars
01/30/23
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Audience Member
Stay away from this joke.
Rated 0.5/5 Stars •
Rated 0.5 out of 5 stars
01/28/23
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