Easy Rider

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Greg T Can’t understand why this movie ever won any awards. It’s amateurish at best. No storyline, no plot just 2 idiots riding their motorcycles across America having random encounters which are not believable. The things that take place you know straight away only happen in movies not in reality, making the movie even more irrelevant. 🙄 There are 1000 better movies worth watching before this movie that looks like it was filmed by a first time vlogger. Rated 1/5 Stars •  Rated 1 out of 5 stars 07/20/25 Full Review Gi S Pretty boring stuff about a couple of hippy bikers, until uncle jack joins the party. Rated 2.5/5 Stars •  Rated 2.5 out of 5 stars 07/17/25 Full Review SICKS6SIX S id give this film 85% now but back in 1969 it was a 100%, nothing quite like it beforehand, it shaped a generation, not many fims can do that but this film did, not until Quadrophenia ten years later did a film have as much impact on youth culture, if you were there and knew you were in, if you were not you cant ever be, Rated 5/5 Stars •  Rated 5 out of 5 stars 07/07/25 Full Review Mason M I expected Easy Rider to just be a cool road movie, but I was very surprised that it's really a poetic and masterful commentary on personal individuality and America. First, I'll point out that this film may have the best editing I've ever seen in a film. It was trippy and edited like nothing else I've ever seen, and that graveyard scene in the last act was haunting in how it was edited. Dennis Hopper definitely does a great job directing this film, and he gives a great performance too. Peter Fonda also does a great job and Jack Nicholson was the highlight of the film with acting in my opinion. And the soundtrack was one of the best I've seen in a good bit, all the music was perfect over those beautiful scenes of the bikes and the road. But the writing and commentary on America are what really makes this movie great. It was one of few films I've seen that felt truly American, it wasn't scared to point out the country's flaws but it still highlights all of the things that make this country great and beautiful. Easy Rider is a bold and audacious film that's not afraid to take risks, and has enough great writing and filmmaking to pull off all of them successfully. Rated 4/5 Stars •  Rated 4 out of 5 stars 06/19/25 Full Review Nick B Half celebration, half admonishment, the tag line for EASY RIDER was: "They went looking for America, and couldn't find it anywhere." If fact, two "drop outs" smuggle then sell hard drugs to finance a road trip from L.A. to a New Orleans whorehouse. For characters and audience alike, the film's highlight is the breathtaking, epic scenery they travel through on their spectacular new motorbikes. But uptight Billy and hip Captain America's only glimpse of true peace, happiness and meaning is with a traditional family right at the very beginning of their journey. Every other stop is confusing and shallow, hedonistic at best, dangerous and lethal at worst. Their campfire philosophy is dope-pipe-dream psychobabble, until they meet an alcoholic lawyer who offers the riders no answers except why they stir resentment from the squares. "We blew it," Captain Ameica concludes at the apparent accomplishment of their rambling mission in a half-coherent acid dream as he understands riding away from the "American Dream" to look for some unknown, counter-culture alternative has lead to nowhere and nothing meaningful. This movie's genius is it's elusive, interpretive, yin-yang dissonance of simultaneously promoting and denouncing the naive, hedonistic, nihilistic 60s counter-culture. Maybe that's why half the songs on Easy Rider's legendary soundtrack are classics, and the other half trash. Rated 4/5 Stars •  Rated 4 out of 5 stars 05/22/25 Full Review Mark B I was only 11 years old when this movie was released. Now I'm 66 and for the first time, I watched Easy Rider the other night. I had been looking forward to it. I had heard so much about it- some sort of incredible masterpiece capturing the changing essence of American culture and the search for escapism, non-conformism and the search for whatever 'IT' was at the time. Instead, I was left feeling empty, almost cheated and a little drained after watching this rambling, shallow, pointless offering about two blokes, who didn't like each other anyway, who had chosen to ride around rural America together on their motorbikes. Reality check. They were drug-taking criminals. They had sold their stock of cocaine 'down Mexico way' to fund their aimless trip. Instantly, I wasn't drawn to them. I had no empathy for them. I didn't like their characters. They were shallow, self-indulgent and self-centered. They stumble around while Billy (Dennis Hopper) bickers and carps about everything and everyone while Wyatt (Peter Fonda) tries to be like Clint Eastwood from one of his iconic spaghetti westerns, trying to be 'Mr Cool.' But there's no weight or timing to Fonda - take away those half-tinted sunglasses he constantly wears (even when sleeping) and he could be a geography teacher out for a Sunday ride on a borrowed Harley. Fonda plays the obvious Alpha to Hopper's slightly hysterical Billy, but that's it. The movie only sparks to life, momentarily and half-way through, when Jack Nicholson appears and rather preposterously gives up his job as an attorney to join the two wasters on their journey to nowhere. Nicholson (George) has a drink problem. With his ridiculous looking motorbike helmet which looks like an old-fashioned hairdryer from an old-fashioned women's hairdressers, Jack Nicholson is brilliant, suddenly stealing the limelight and grabbing the viewer and for a few minutes or so, you think "at last!" ......now this movie is really going somewhere! But Nicholson's wonderfully instant illumination of this stodge, as the eccentric George, is like a cheap firework. It quickly goes out as he is murdered by a group of 'rednecks' who attack George, Billy and Wyatt while they sleep under the stars- which is their want, as no hotel or motel will allow them to stay. The sudden violence is grotesque and totally out of kilter with the film so far. Because of this, it's now ruined, tainted and going nowhere when it could have really had a purpose and a plot if Hopper (who also directed this offering) had kept Nicholson's part alive. Instead, we are suddenly bombarded with a hotch-potch of confusing and intended jump cuts (AKA cult-French film style from the 1960s) seedy shots of prostitutes and drug takers and general squalor which interweave with other so called 'images of America' from that era, to bring Easy Rider, and not soon enough, to a shuddering end. It's now well over 50 years since it was released. And for all the reasons I have highlighted in my review, this is NOT why this movie has worn very badly. Rated 1.5/5 Stars •  Rated 1.5 out of 5 stars 02/20/25 Full Review Read all reviews

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