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      Doris Day

      Doris Day

      Highest Rated: 94% Pillow Talk (1959)

      Lowest Rated: 14% Caprice (1967)

      Birthday: Apr 3, 1922

      Birthplace: Cincinnati, Ohio, USA

      Doris Day became Hollywood's No. 1 female box-office star and the epitome of the girl next door. Her résumé composed an American archetype - the pristine, bright-eyed sweetheart of America's 1950s. She was born Doris Mary Anne von Kappelhoff on April 3, 1922, in the Cincinnati, OH, suburb of Evanston, to Alma and Frederick von Kappelhoff and was the youngest of three children in a troubled household. In spite of the family's Catholicism, her parents divorced when Doris was only 12, due to Frederick's philandering. A tomboy in her earlier years, by adolescence she had developed a penchant for dance, but those aspirations were shelved when a car accident left her with a compound fracture of one leg and a tough 14-month rehabilitation. She began singing instead and, while still just a teenager, scored a job with the local dance band of Barney Rapp, who redubbed her Doris Day, after her number "Day After Day." She also met Al Jorden, a trombonist in Rapp's band and a temperamental character whom she disliked initially, but whom she eventually agreed to date. Around this same time, she landed a much bigger gig with the touring Les Brown and His Band of Renown. Both Brown, who took on a paternal role, and her mother discouraged her relationship with Jorden, especially when he proposed, but the 17-year-old Day insisted she only wanted to become a housewife. They married in New York in early 1941 while she was on tour, but it got off to an ominous start when, according to biographer David Bret, Jorden dragged his new wife to their hotel room and beat her up after seeing her kiss a fellow musician on the cheek. By Bret's account, violence was not infrequent during the marriage. When Day discovered she was pregnant, Jorden subjected her to a series of violent histrionics, including threatening to shoot her at one point, and leaving her ostensibly "for good." In February 1942, Day gave birth to a son, Terry. A repentant Jorden gave Day a brief reprieve, but he soon returned to his psychotic ways, so she began divorce proceedings. Jorden would kill himself a few years later. In 1944, she scored her first hit with Brown, "Sentimental Journey," which would strike a chord over the next year with many soldiers journeying home from war. She also developed a diva complex and became notoriously difficult to work with, throwing tantrums and cursing liberally when she did not get her way. Thus, it may have been a relief to some in the band when she and saxophonist George Weidler announced their engagement and her intentions, again, to leave show business for a simple family life. While quitting the touring circuit, Day agreed to a guest shot on the radio show "The Bob Hope Pepsodent Show." It led to recurring appearances, and Hope began referring to her on air and off as "J.B." - short for "jut-butt," in reference to her posterior. It also got the attention of Al Levy, an agent with the firm Century Artists, who soon began representing her. The buzz around her proved too much for the insecure Weidler, leading Day to divorce him after only eight months of marriage. Levy netted her a contract with Warner Bros. with a curious indenture to director Michael Curtiz, who, in addition to putting her in a series of films - starting with the musical comedy "Romance on the High Seas" (1948) - took in 50 percent of all non-movie showbiz revenue she earned. The dailies for "Romance" horrified Day, who insisted she take acting lessons, to which Curtiz responded, "You're a natural just as you are - if you learn how to act, you'll ruin everything." A song she sang for the soundtrack - "It's Magic" - reached No. 2 on the pop chart and earned her an Oscar nomination. Day also began an affair with co-star Jack Carson, which complicated amorous relationships with both Levy and Weidler. Jealous, Levy began stalking her and at one point tried to rape her, but she fended him off. Century Artists convinced her to not press charges as long as they agreed to shuffle him out to the firm's New York office. Partner Marty Melcher took over her business, and she soon began an affair with him, even though he was married to singer Patty Andrews of the famed Andrews Sisters. She reteamed with both Curtiz and Carson, getting top female billing in "My Dream Is Yours" (1949), and remained under the director's stewardship in "Young Man with a Horn" (1950), co-starring Kirk Douglas and Lauren Bacall, and "I'll See You In My Dreams" (1952). Much of her early film work would prove fluffy treacle - "Tea For Two" (1950), "On Moonlight Bay" (1951), "The West Point Story" (1951), "Lullaby of Broadway" (1951), "April In Paris" (1952), "By the Light of the Silvery Moon" (1953), "Lucky Me" (1954) all imprinting her public image as the Pollyannaish "Girl Next Door." Her music career buoyed her film career and vice versa, with nearly every film issuing some kind of hit tune, resulting in seven of her 10 albums released between 1949 and 1955 charting in the top five. One rare non-crooning dramatic role, the anti-Klan noir film "Storm Warning" (1951), saw her wind up involved with two of her co-stars in that film, Ronald Reagan and Steve Cochran. But Day and Melcher married in 1951, with Melcher also adopting Terry. Many of her show business friends thought Melcher was just in it for the star's money. In fact, while making "Young at Heart" (1954), Frank Sinatra came to dislike Melcher so much he had him banned from the set. Day, who came to hate her virginal image, did manage to play out of type as she eased into her career. Her breakthrough role, in fact, tapped her tomboy youth for what would become her personal favorite of her films, "Calamity Jane" (1953). She played the butch Western heroine through a light-hearted romantic musical frame, with another song "Secret Love," becoming a chart-topper along with the entire movie soundtrack. She showed dramatic range again in "Love Me or Leave Me" (1955), playing 1920s singing star Ruth Etting, whose career was marred by a relationship with a gangster, played by James Cagney. She did her turn in Alfred Hitchcock's famous stable of blondes in "The Man Who Knew Too Much" (1956), with even Hitchcock slipping in a song for her, "Que Será, Será," which went on to win the Oscar for Best Song. She went much darker with "Julie" (1956), a thriller in which Day's character discovers her second husband to be abusive, violent and the murderer of her first spouse. Day loathed it, as it smacked too much of personal experience, but she did the film because Melcher served as producer. She made another splash in musical comedy with the movie adaptation of the Broadway hit "The Pajama Game" (1957), but the fanciful genre was on the wane. She would return to suspense in 1960's "Midnight Lace," but with the further reminders of her own violent past, she swore off darker films. She veered almost exclusively to straight, mild-mannered comedy roles as a savvy housewife or intrepid, romantically stand-offish career "gal" typically paired with lead males such as Clark Gable in "Teacher's Pet" (1958); David Niven in "Please Don't Eat the Daisies" (1960); Cary Grant again in "That Touch of Mink" (1962); James Garner in "The Thrill of It All" (1963) and "Move Over Darling" (1963); and Rod Taylor in " Do Not Disturb" (1965) and "Glass Bottom Boat" (1967). For all her pairings, it would be her trio of romantic comedies with Rock Hudson (and an ever-supporting Tony Randall) that would have the most resonance. It started with "Pillow Talk" (1959), a for-the-time steamy "sex" comedy with Day as a New York professional with no time for men, constantly exasperated by the charming playboy in her apartment building who shares her party phone line. The movie became one of the top-grossers of 1959 and Day's turn earned her an Oscar nomination for Best Actress. They reunited in "Lover Come Back" (1961), as rival ad executives who, sight unseen, grow to hate each until they hook up, while "Send Me No Flowers" (1964) had them married off and Hudson, mistakenly thinking he's dying, trying to set Day up with a new husband. The irony of the dynamic on-screen relationship and the friendship that developed off-screen, was that Hudson was a closeted homosexual, which Day claimed not to know until his later death from AIDS. With the American New Wave beginning to churn out less glossy, more realistic films, Day's formulaic and tepid movies began to seem dated. She famously turned down a role that might have reinvented her, the randy Mrs. Robinson in "The Graduate" (1967). Just after the production ended on her last movie, "With Six You Get Egg Roll" (1968), Melcher began feeling ill and one day did not wake up. A review of her business showed that he had managed it poorly and squandered much of her fortune. He had also signed off on a new project unbeknownst to her; an eponymous CBS sitcom, which now became a necessity. "The Doris Day Show" (1968-1973) began with her as a widowed big city woman moving back to her rural roots with her sons. Though it did well in the ratings, the show was retooled every season, adding bland premises such as moving to San Francisco, working as a secretary, writing for a magazine and sending the kids off to boarding school. When her network contract was up in 1973, she effectively retired to Carmel, CA where she became an animal benefactor with her Doris Day Pet Foundation, which found homes for stray animals, and the Doris Day Animal League, an animal rights group that in 2006 merged with The Humane Society. She mostly retired her showbiz name, becoming known to locals as Clara Kappelhoff - with Clara a pet name given her during the making of "Tea For Two" in 1950. In 1976, she married again to Barry Comden, a maitre d' at a favorite restaurant of hers, but it would last only five years. She returned to TV briefly in 1985 in the Christian Broadcasting Network's "Doris Day's Best Friends" (1985-86), a show about pets. When Rock Hudson appeared as a guest on one episode, viewers were shocked at how his illness had emaciated him. He died only months later. After her series ended, Day quietly retired and largely withdrew from public life. In 2008, she was awarded a lifetime achievement Grammy Award, but did not show up at the ceremony to accept it, effectively proving herself to be one of the more dedicated recluses Hollywood had yet produced. Her final album, My Heart, was released in 2011, consisting of tracks produced by Terry Melcher prior to his 2004 death. Doris Day died of pneumonia on May 13, 2019 at her home in Carmel, California. She was 97.

      Highest rated movies

      Pillow Talk
      Lover Come Back
      Young at Heart
      The Thrill of It All
      Rock Hudson's Home Movies
      The Man Who Knew Too Much
      Romance on the High Seas
      The Pajama Game


      Doris Day WINNING TEAM, Doris Day, Ronald Reagan, 1952 THE GLASS BOTTOM BOAT, Doris Day, Dom DeLuise, 1966 MOVE OVER, DARLING, Doris Day, 1963 SEND ME NO FLOWERS, Rock Hudson, Doris Day, 1964 THAT TOUCH OF MINK, Doris Day, 1962 THAT TOUCH OF MINK, Doris Day, 1962 THE GLASS BOTTOM BOAT, Doris Day, 1966 IT HAPPENED TO JANE, Doris Day, Jack Lemmon, 1959, embracing on the train CALAMITY JANE, from left: Doris Day, Howard Keel, 1953 THE GLASS BOTTOM BOAT, Rod Taylor, Doris Day, 1966 GLASS BOTTOM BOAT, Doris Day, Dom DeLuise, 1966, threaten THE GLASS BOTTOM BOAT, Rod Taylor, Doris Day, 1966 THE GLASS BOTTOM BOAT, Doris Day, Rod Taylor, 1966 IT'S A GREAT FEELING, from left: Dennis Morgan, Doris Day, 1949 LOVE ME OR LEAVE ME, Doris Day, James Cagney, 1955 BY THE LIGHT OF THE SILVERY MOON, Doris Day, Gordon MacRae, 1953. IT'S A GREAT FEELING, Dennis Morgan, Doris Day, 1949 LOVE ME OR LEAVE ME, Doris Day, James Cagney, 1955 PILLOW TALK, Doris Day, 1959



      88% 35% Rock Hudson's Home Movies Jan Morrow (Character) - 1992
      No Score Yet 56% The Ballad of Josie Josie Minick (Character) - 1968
      No Score Yet 26% Where Were You When the Lights Went Out? Margaret Garrison (Character) - 1968
      No Score Yet 65% With Six You Get Eggroll Abby McClure (Character) - 1968
      14% 60% Caprice Patricia Foster (Character) - 1967
      57% 74% The Glass Bottom Boat Jennifer Nelson (Character) - 1966
      No Score Yet 45% Do Not Disturb Janet Harper (Character) - 1965
      60% 74% Send Me No Flowers Judy (Character) - 1964
      No Score Yet 77% Move Over, Darling Ellen Wagstaff Arden (Character) - 1963
      89% 73% The Thrill of It All Beverly Boyer (Character) - 1963
      No Score Yet 56% Billy Rose's Jumbo Kitty Wonder (Character) - 1962
      78% 70% That Touch of Mink Cathy Timberlake (Character) - 1962
      92% 77% Lover Come Back Carol Templeton (Character) - 1961
      86% 73% Midnight Lace Kit Preston (Character) - 1960
      57% 60% Please Don't Eat the Daisies Kate Robinson Mackay (Character) - 1960
      No Score Yet 51% It Happened to Jane Jane Osgood (Character) - 1959
      94% 87% Pillow Talk Jan Morrow (Character) - 1959
      86% 71% Teacher's Pet Erica Stone (Character) - 1958
      No Score Yet 25% The Tunnel of Love Isolde Poole (Character) - 1958
      87% 63% The Pajama Game Katie "Babe" Williams (Character) - 1957
      No Score Yet 40% Julie Julie Benton (Character) - 1956
      88% 84% The Man Who Knew Too Much Jo McKenna (Character) - 1956
      71% 75% Love Me or Leave Me Ruth Etting (Character) - 1955
      90% 78% Young at Heart Laurie Tuttle (Character) - 1954
      No Score Yet 16% Lucky Me Candy Williams (Character) - 1954
      73% 87% Calamity Jane Calamity Jane (Character) - 1953
      No Score Yet 81% By the Light of the Silvery Moon Marjorie Winfield (Character) - 1953
      No Score Yet 47% April in Paris Ethel S."Dynamite" Jackson (Character) - 1952
      No Score Yet 63% The Winning Team Aimee Alexander (Character) - 1952
      No Score Yet 62% Storm Warning Lucy Rice (Character) - 1951
      No Score Yet 25% Starlift Self - 1951
      67% 64% I'll See You in My Dreams Grace LeBoy Kahn (Character) - 1951
      No Score Yet 80% On Moonlight Bay Marjorie "Marjie" Winfield (Character) - 1951
      No Score Yet 78% Lullaby of Broadway Melinda Howard (Character) - 1951
      No Score Yet 56% The West Point Story Jan Wilson (Character) - 1950
      83% 73% Young Man With a Horn Jo Jordan (Character) - 1950
      No Score Yet 59% Tea for Two Nanette Carter (Character) - 1950
      No Score Yet 30% It's a Great Feeling Judy Adams (Character) - 1949
      No Score Yet 42% My Dream Is Yours Martha Gibson (Character) - 1949
      88% 64% Romance on the High Seas Georgia Garrett (Character) - 1948
      No Score Yet 47% Lady Be Good Debutante (uncredited) (Character) - 1941
      No Score Yet No Score Yet Federal Fugitives Rita Bennett (Character) - 1941
      No Score Yet No Score Yet Is It Love or Is It Conscription Unknown (Character) - 1941
      No Score Yet No Score Yet Mr. Celebrity Carol Carter (Character) - 1941
      No Score Yet No Score Yet Saga of Death Valley Ann Meredith (Character) - 1939
      No Score Yet No Score Yet Thou Shalt Not Kill Mary Olsen (Character) - 1939


      No Score Yet 10% The View Guest 2013 2015
      No Score Yet No Score Yet The Doris Day Show Doris Martin (Character) 1968-1973
      No Score Yet No Score Yet What's My Line? Guest 1954 1957
      No Score Yet No Score Yet Soundies Music Performer