Ted Tetzlaff
Talented cinematographer of lustrous black-and-white imagery who, after 20 years behind the lens in the 1930s and 40s, moved into the director's chair and showed a flair for suspense. Tetzlaff began as a lab and camera assistant before sharing cinematography credits on half a dozen minor films in 1926-27. He joined Columbia in 1928, working regularly with good contract directors Erle C. Kenton ("The Last Parade" 1931), Roy William Neill ("Behind Closed Doors" 1929), and the up-and-coming Frank Capra. Tetzlaff shot three films for Capra, starting with the enjoyable "The Power of the Press" (1928). He was prolific, too, lensing a dozen films in 1929 and eleven each in 1930 and 1931.
Photos
Ted Tetzlaff
Filmography
Movies
Credit | |||||
---|---|---|---|---|---|
No Score Yet |
|
The Young Land | Director | - | 1959 |
No Score Yet | No Score Yet | 7 Wonders of the World | Director | - | 1956 |
No Score Yet |
|
Son of Sinbad | Director | - | 1955 |
No Score Yet | No Score Yet | Terror on a Train | Director | - | 1953 |
No Score Yet | No Score Yet | The Treasure of Lost Canyon | Director | - | 1952 |
No Score Yet | No Score Yet | Under the Gun | Director | - | 1951 |
No Score Yet |
|
The White Tower | Director | - | 1950 |
No Score Yet | No Score Yet | Gambling House | Director | - | 1950 |
100% |
|
The Window | Director | - | 1949 |
No Score Yet |
|
Johnny Allegro | Director | - | 1949 |
No Score Yet |
|
A Dangerous Profession | Director | - | 1949 |
No Score Yet | No Score Yet | Fighting Father Dunne | Director | - | 1948 |
No Score Yet |
|
Riff-Raff | Director | - | 1947 |
96% |
|
Notorious | Cinematographer | - | 1946 |
96% |
|
I Married a Witch | Cinematographer | - | 1942 |
100% |
|
You Were Never Lovelier | Cinematographer | - | 1942 |
No Score Yet | No Score Yet | World Premiere | Director | - | 1941 |
89% |
|
Road to Zanzibar | Cinematographer | - | 1941 |
No Score Yet | No Score Yet | Kiss the Boys Goodbye | Cinematographer | - | 1941 |
No Score Yet | No Score Yet | Safari | Cinematographer | - | 1940 |
100% |
|
Remember the Night | Cinematographer | - | 1940 |
No Score Yet | No Score Yet | Love Thy Neighbor | Cinematographer | - | 1940 |
No Score Yet |
|
My Love for Yours | Cinematographer | - | 1939 |
No Score Yet |
|
Arrest Bulldog Drummond | Cinematographer | - | 1938 |
100% |
|
True Confession | Cinematographer | - | 1937 |
97% |
|
My Man Godfrey | Cinematographer | - | 1936 |
No Score Yet |
|
The Princess Comes Across | Cinematographer | - | 1936 |
No Score Yet | No Score Yet | Annapolis Farewell | Cinematographer | - | 1935 |
No Score Yet | No Score Yet | His Greatest Gamble | Cinematographer | - | 1934 |
No Score Yet |
|
Lady by Choice | Cinematographer | - | 1934 |
No Score Yet | No Score Yet | The Thrill Hunter | Cinematographer | - | 1933 |
No Score Yet | No Score Yet | Ann Carver's Profession | Cinematographer | - | 1933 |
No Score Yet | No Score Yet | Child of Manhattan | Cinematographer | - | 1933 |
No Score Yet | No Score Yet | Should Ladies Behave? | Cinematographer | - | 1933 |
No Score Yet | No Score Yet | Love Affair | Cinematographer | - | 1932 |
No Score Yet |
|
Three Wise Girls | Cinematographer | - | 1932 |
No Score Yet | No Score Yet | Behind the Mask | Cinematographer | - | 1932 |
No Score Yet |
|
The Criminal Code | Cinematographer | - | 1931 |
No Score Yet | No Score Yet | The Texas Ranger | Cinematographer | - | 1931 |
No Score Yet | No Score Yet | The Donovan Affair | Cinematographer | - | 1929 |
No Score Yet | No Score Yet | A Simple Sap | Cinematographer | - | 1928 |
TV
Credit | ||||
---|---|---|---|---|
No Score Yet | No Score Yet | Screen Directors Playhouse | Director | 1955 |